weâll have a mountain to scale or a canyon to span between us and wherever the rest of me got lost in my Garden.â
âMaybe the problem isnât
When
,â Ramon suggested.
I went on dragging time into sludgy piles.
âMaybe the problem is
Who
,â Ramon said. âPerhaps the trauma of experiencing a self untranslated over culture and languageâacross
Whens
based on moon and mathematicsâseparated Ren from herself. Think how much you change in just a single lifetime. Youâre not the same man you were even a year ago.â
âNeither are you,â Phil said with a glance down Ramonâs body.
I pulled again, and sludgy time inverted at my feet. I stared into the hole. Maybe its dark was where I belonged. It was where I came from. It was where I had held love in my arms, and I carried the shape of its face in my heartdark.
âRen?â
On the cave wall in front of me, the symbol was crude, but unmistakable: two eyes and a mouth.
âRay, can you see Ren?â
I touched my fingers to the ash smudges on the cave wall: two circles and a lineâthe first shape infant eyes pattern, when all our world is Iandentire comfort, or its terrible lack. Not until that world splits into Me and Not Me, I and Thou, do we learn that we, too, look into the world from behind two circles and a line.
âRen!â
The cave wall was a glorious welter of umber, rust, and charcoalâlong, inverted triangles with heads and feet bleeding into the fluid backs of horses. A red patty-cake blotted out their haunches, half of it scraped white into the cleft circles of female hips and breasts. I wanted to press my palms against the handprints. I wanted to see if torchlight made the horses run.
âFuck. I should have stopped her! No. Donât give me that look, Ray. If I had told her last night I thought the experiment was dangerous, she wouldnât haveâWell, at least she mightâI mean â¦â Philâs voice was muffled by mud and time. âYou canât jump a chasm in two leaps. I should have told her.â
I couldnât see him.
I couldnât see us either, but we were there, the many of us in the cavestone. Not the one I loved. She was dead. Herdark hurt me.
âWhat does it mean for her to shade in her own Garden, Ray?â
Mydark hurt Phil. Fear woke up in me at last.
I had no idea what anything meant:
mother
or
face
or
home
.
I didnât know if horses ran over the stone of our original Garden, or if Iâd finally lost my grip on reality. Panic gathered low in my belly. I could barely drag my hands from the cavestone. It was where I came from, and I didnât belong.
I had tampered with
When
, and
Why
crushed me. âStop!â I said and showed my teeth.
âIs it so much to ask, Ray, to get a year, maybe two, of just me loving her and her loving me back? No drama, no upset?â
âNo change, Phil? No growth?â
Why
swallowed me in solid liquid ribbons.
âYes. Exactly fucking that. Is that too much?â
Why?
Because Celeste had stolen
When
from me and
Who
from Phil.
âNot too much, I think. But too slow, perhaps. A day or a weekend? Sure. But not months. Certainly not years.â
Why?
Because the women in my family lose their memories. Trying to save them, Iâd lost my mind.
It caved in.
âShut up, Ray.â
âItâs Ramon.â
11. You Can Never Go
My thoughts were eels through oil, no more solid than the air, and no less opaque than mystery.
I wasnât suffocating. Minds donât breathe and my brain was in Tucson. If I opened my eyes I would be there, sitting on the sofa, and not a bit muddy.
Iâd probably want a bath anyway, but Phil was showering. Ramon had made him. âI have pieces of myself pinned to half a dozen memories I will never look at again, Phil. So do you. Get cleaned up.â
I loved him, and I wanted to kiss him with no guilt on his mouth.
But my