â too late to hide.
I went round the one-way system until I saw a phone-box. Then I had to find a parking place. I had decided that, before I spoke to Anna, I would get in touch with John Strachan. He had told me at the funeral that he had been with Scott before he died. I think I was taking out insurance against the possibility of Annaâs monosyllabic responses. If she didnât want to tell me anything, I could defy her silence and still make my journey worthwhile. I phoned Scottâs school.
âGood afternoon. Glebe Academy.â
There was a typewriter in the background and a voice saying something I couldnât hear â those delicious sounds of normalcy that are sweets in the shop-window to an obsessive and heâs a boy again, only able to stare in, without the currency to purchase.
âGlebe Academy. Yes?â
âGood afternoon. Could I speak to Mr Strachan, please?â
âWhoâs calling, please?â
âMy nameâs Laidlaw. Jack Laidlaw. Iâm Scottâs brother.â
I had nearly said, âI was Scottâs brother.â Grief is often so mannerly that it ties itself in knots. I heard a silence I didnât understand at the other end.
âOh, Mr Laidlaw.â Then she said something that stuck to my chest like a badge. âYou had one terrific brother, Mr Laidlaw. A lot of us miss him. Pupils and staff alike.â
I loved not just the statement. I loved the breathlessness of her voice, the spontaneity with which she said it, the breaking through the barrier of her own embarrassment. It wasnât something she had said by rote.
âThanks,â I said.
âIâll get Mr Strachan for you.â
When he came, I didnât recognise the voice and I realised I might not know him if I saw him.
âHullo. Mr Laidlaw?â
âMr Strachan. Iâm sorry to disturb your day. I know you must be busy. But Iâm in Graithnock today. And I just wondered. Would it be possible to talk to you? About Scott. I just would like to understand it better. Iâm sorry to impose on you. But could I see you sometime? Even just for half-an-hour?â
He hardly paused.
âYou could come to the house tonight,â he said.
âYou sure?â
âIâm sure. Youâll still be around later on?â
âDefinitely.â
âOkay. Iâm sorry I havenât time to warn Mhairi. Or you could eat with us. But you could come after that. If thatâs all right.â
âThatâs great.â
He gave me the address. I was relieved. That meant I was bound to recognise him.
âSay about seven oâclock. Letâs hope weâve got the kids down by about then.â
âThatâs great. Iâll see you then. I appreciate this.â
âItâs no problem. Scottâs worth talking about.â
His words and those of the secretary were ointment on my mind. Two people agreed with the feeling in me. I felt as if I was a member of a cadre against the indifference to Scottâs death. I was ready to talk to Anna now, invested with more authority than my own mania. I went back to the car.
5
S cott and Annaâs house was the end one in a street of terraced houses. There were trees in the street, emerging from the buckling asphalt defiantly. As I parked between two of the trees, I noticed the sign. It was stuck in the sandstone chips of the front garden. It said âFor Saleâ.
I got out and went up the path and rang the bell. It was one of those rings you know will never be answered, tirling into hollow silence. It was, appropriately enough, like calling at a mausoleum. I looked in the curtainless front window. The room was completely denuded. There were lighter patches on the walls where Scottâs paintings had been hanging.
My memory rehung one of them. It was a big canvas dominated by a kitchen window. In the foreground on the draining board there were dishes, pans, cooking
Janwillem van de Wetering