He went over to the desk and sat down. The first thing he saw was a photograph of himself, taken the summer before on the Caribbean island of Guadeloupe, where he had gone diving. There was a second picture tucked into the corner of the frame. Alex aged five or six. He was surprised and a little saddened by the photographs. Ian Rider had been more sentimental than he had pretended.
Alex glanced at his watch. About three minutes had passed since Crawley had left the office and he had said he would be back in five. If he was going to find anything here, he had to find it quickly. He pulled open a drawer in the desk. It contained four or five thick files. Alex took them and opened them. He saw at once that they had nothing to do with banking.
The first was marked: NERVE POISONS. NEW METHODS OF CONCEALMENT AND DISSEMINATION.
Alex put it aside and looked at the second. ASSASSINATIONS: FOUR CASE STUDIES. Growing ever more puzzled, he quickly flicked through the rest of the files, which covered counterterrorism, the movement of uranium across Europe, and interrogation techniques. The last file was simply labeled: STORMBREAKER.
Alex was about to read it when the door suddenly opened and two men walked in. One of them was Crawley. The other was the driver from the junkyard. Alex knew that there was no point trying to explain what he was doing. He was sitting behind the desk with the Stormbreaker file open in his hands. But at the same time he realized that the two men weren’t surprised to see him there. From the way they had come into the room, they had expected to find him.
“This isn’t a bank,” Alex said. “Who are you? Was my uncle working for you? Did you kill him?”
“So many questions,” Crawley muttered. “But I’m afraid we’re not authorized to give you the answers.”
The second man lifted his hand and Alex saw that he was holding a gun. He stood up behind the desk, holding the file as if to protect himself. “No…” he began.
The man fired. There was no explosion. The gun spat at Alex and he felt something slam into his heart. His hand opened and the file tumbled to the ground. Then his legs buckled, the room twisted, and he fell back into nothing.
“SO WHAT DO YOU SAY?”
ALEX OPENED HIS EYES. So he was still alive! That was a nice surprise.
He was lying on a bed in a large, comfortable room. The bed was modern, but the room was old with beams running across the ceiling, a stone fireplace, and narrow windows in an ornate wooden frame. He had seen rooms like this in books when he was studying Shakespeare. He would have said the building was Elizabethan. It had to be somewhere in the country. There was no sound of traffic. Outside he could see trees.
Someone had undressed him. His school uniform was gone. Instead he was wearing loose pajamas, silk from the feel of them. From the light outside he would have guessed it was midmorning. He found his watch lying on the table beside the bed and he reached out for it. The time was twelve o’clock. It had been around half past four when he had been shot with what must have been a drugged dart. He had lost a whole night and half a day.
There was a bathroom leading off from the bedroom—bright white tiles and a huge shower behind a cylinder of glass and chrome. Alex stripped off the pajamas and stood for five minutes under a jet of steaming water. He felt better after that.
He went back into the bedroom and opened the closet. Someone had been to his house in Chelsea. All his clothes were here, neatly hung up. He wondered what Crawley had told Jack. Presumably he would have made up some story to explain Alex’s sudden disappearance. He took out a pair of Gap combat trousers, Nike sweatshirt and sneakers, got dressed, then sat on the bed and waited.
About fifteen minutes later there was a knock and the door opened. A young Asian woman in a nurse’s uniform came in, beaming.
“Oh, you’re awake. And dressed. How are you feeling? Not too groggy, I