the teeming
attap
villages which encrust their banks that remind you. The new slum city has grown like a fungus behind the colonial façade of the old.
The Air House was on the south side of the big Van Riebeeck Square, next to an eighteenth-century Residency which housed a department of the Ministry ofPublic Health. The highest and the newest building in Selampang, it had been put up by a consortium of oil companies and airline operators as an office block, and was nearing completion when the Japanese occupied the city in 1942. For a time the Japanese had used it as a military headquarters; then their psychological warfare people had moved in, erected lattice masts on the roof and made a short-wave radio station of it. After the war it had remained a radio station. Only the ground floor had been handed back to the airline operators, and this was now a booking office and the terminal for the airport bus.
Jebb’s apartment was on the top floor. The lift only went to the fifth; after that you walked along a rubber-floored corridor, through some swing doors and up a flight of stairs. Beyond the doors the building was still unfinished. The concrete of the auxiliary staircase was as the builders had left it in 1942. Footsteps echoed dismally down the staircase well. The window openings were roughly boarded up and it was not easy to see where you were going.
“Mind yourself here. You’ll catch your coat,” Jebb said.
We rounded a concrete upright bristling with the ends of reinforcement rods and walked a short way along a dusty passage. Then Jebb stopped at a door and took a key out.
“They’d just started to put the drains in these apartmentswhen the Japs came,” he said. “This is the only one they finished. The other five are still empty. After all this time and with a housing shortage, too! What a country! I had to bribe the whole of the city hall before I could even get the water turned on.”
He opened the door and we went in.
My spirits had been drooping a little as we mounted the stairs, and I was remembering the camp bed I had so confidently given away; but inside things were different. There was a small tiled hall with a kitchen leading off it and another door into the sitting room. This was long and narrow, but almost the whole of the outer wall was taken up by french windows leading on to a deep terrace with a concrete balustrade. Over the terrace there was a plaited bamboo sun roof and, at the sides,
attap
screens. There was not much furniture; apart from the usual bamboo long chairs and a divan that was clearly used as the spare bed, there was a radio, a portable phonograph, a bookcase full of paper-backed novels and a bamboo serving trolley with drinks on it. On the walls were some Balinese pictures. It was cool and comfortable. I said so.
“The girl-friend helped me fix it up.” He started the ceiling fan going very slowly. “Got to watch this bastard. Don’t switch it on too quickly or it’ll blow the main fuses down on the floor below. Now, what’s it to be, Steve? Drink first or shower first? I’ll tell you what. We’ll have a long drink first while I show you whereeverything is. Then we’ll shower and go on from there. What’ll it be? Brandy dry? Gin fizz? Scotch if you like, but if you want to stay on the same thing all the evening, brandy or gin are easier. I’ll go and get the ice.”
When he had made the drinks, he showed me his bedroom and then took me out on to the terrace. It faced north, and from one end you could see out over the funnels and masts of the shipping in the port and across the bay. Beyond one of the
attap
screens at the other end was a Dutch bathhouse with a big stone ewer of water and a galvanised iron scoop.
“What do you know about it?” he demanded. “My word! Fancy putting a thing like that in a new building.”
“Some people say it’s the best sort of shower there is.”
“Not me. Sloshing the water all over yourself with a thing like a saucepan,
attap
villages which encrust their banks that remind you. The new slum city has grown like a fungus behind the colonial façade of the old.
The Air House was on the south side of the big Van Riebeeck Square, next to an eighteenth-century Residency which housed a department of the Ministry ofPublic Health. The highest and the newest building in Selampang, it had been put up by a consortium of oil companies and airline operators as an office block, and was nearing completion when the Japanese occupied the city in 1942. For a time the Japanese had used it as a military headquarters; then their psychological warfare people had moved in, erected lattice masts on the roof and made a short-wave radio station of it. After the war it had remained a radio station. Only the ground floor had been handed back to the airline operators, and this was now a booking office and the terminal for the airport bus.
Jebb’s apartment was on the top floor. The lift only went to the fifth; after that you walked along a rubber-floored corridor, through some swing doors and up a flight of stairs. Beyond the doors the building was still unfinished. The concrete of the auxiliary staircase was as the builders had left it in 1942. Footsteps echoed dismally down the staircase well. The window openings were roughly boarded up and it was not easy to see where you were going.
“Mind yourself here. You’ll catch your coat,” Jebb said.
We rounded a concrete upright bristling with the ends of reinforcement rods and walked a short way along a dusty passage. Then Jebb stopped at a door and took a key out.
“They’d just started to put the drains in these apartmentswhen the Japs came,” he said. “This is the only one they finished. The other five are still empty. After all this time and with a housing shortage, too! What a country! I had to bribe the whole of the city hall before I could even get the water turned on.”
He opened the door and we went in.
My spirits had been drooping a little as we mounted the stairs, and I was remembering the camp bed I had so confidently given away; but inside things were different. There was a small tiled hall with a kitchen leading off it and another door into the sitting room. This was long and narrow, but almost the whole of the outer wall was taken up by french windows leading on to a deep terrace with a concrete balustrade. Over the terrace there was a plaited bamboo sun roof and, at the sides,
attap
screens. There was not much furniture; apart from the usual bamboo long chairs and a divan that was clearly used as the spare bed, there was a radio, a portable phonograph, a bookcase full of paper-backed novels and a bamboo serving trolley with drinks on it. On the walls were some Balinese pictures. It was cool and comfortable. I said so.
“The girl-friend helped me fix it up.” He started the ceiling fan going very slowly. “Got to watch this bastard. Don’t switch it on too quickly or it’ll blow the main fuses down on the floor below. Now, what’s it to be, Steve? Drink first or shower first? I’ll tell you what. We’ll have a long drink first while I show you whereeverything is. Then we’ll shower and go on from there. What’ll it be? Brandy dry? Gin fizz? Scotch if you like, but if you want to stay on the same thing all the evening, brandy or gin are easier. I’ll go and get the ice.”
When he had made the drinks, he showed me his bedroom and then took me out on to the terrace. It faced north, and from one end you could see out over the funnels and masts of the shipping in the port and across the bay. Beyond one of the
attap
screens at the other end was a Dutch bathhouse with a big stone ewer of water and a galvanised iron scoop.
“What do you know about it?” he demanded. “My word! Fancy putting a thing like that in a new building.”
“Some people say it’s the best sort of shower there is.”
“Not me. Sloshing the water all over yourself with a thing like a saucepan,
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