companion. âIt makes the tower look like a lighthouse; as if it was signalling.â
I cast a sharp glance in Ursulaâs direction, but her face was now only a white blur in the gloom. She had taken the words right out of my mouth.
Ursula went on a shade too quickly: âAre you going back to town by train? Iâll look up the timetable for you when we get in.â
Keeping one eye on the tower for any repetition of the signalling, I picked my way carefully along the flagged walk to the conservatory.
We entered the front hall from behind the stairs just as a woman dressed in trailing black lace was descending. She paused, leaning over the bannister.
âIs that you, Ursie? Where have you been? I have been looking all over the house for you.â
The voice was fond, playful, but I did not like it. There was an underlying tone of peevishness.
Ursula went to the foot of the stairs. âUncle James asked me to take Mrs Matheson over to the Dower House. Iâm afraid poor Mrs Matheson has fallen in love with it. I feel so sorry for her. Did you want me for something, Mother?â
Mrs Mulqueen turned her smile in my direction. It was not reflected in her wide, bland eyes. I received a gracious nod which made me feel like the prospective housemaid once more.
âIâll take care of Mrs Matheson, dear. Run up and have your bath. Iâve laid out the white frock. Iâll be up later to tie your sash nicely. The Quirks are dining, you know. And dearââ
âYes, Mother?â
âDonât run off like that again, without telling me where you are going. I was quite worried.â
Ursula paused on the same step as her mother. Watching them from the foot of the stairs, I glimpsed a certain challenge in her stance.
She said quietly: âI couldnât find you, Mother.â
They stared at each other for a moment. Mrs Mulqueen turned aside, laughing gently.
âThese young girls, Mrs Matheson,â she said, throwing out her hands, âso independent! Come with me.â She drew me along the hall. âSo you liked the Dower. Enchanting place, isnât it? Quite a treat to see a house built in such good taste.â She patted my arm. âYou shouldnât have become so excited. I tell James he is quite cruel letting you young girls through it. But it really is frightfully amusing seeing you get thrilled with it and then James refusing to sell. You should hear James tell stories of the tearful interviews he has had. He has such a sense of humour.â
âThe same sense of fun boys have when they pull fliesâ wings off,â I agreed, pausing with her outside the door of James Hollandâs study.
âOh dear!â Mrs Mulqueen said. âI forgot Yvonne was with James. We will have to wait. It would never do to interrupt. Sit down, Mrs Matheson.â
I did so, but Mrs Mulqueen stood as near to the study door as she could.
âTell me all about yourself,â she requested without interest. Voices rose and fell in the study. I could hear Yvonne Holland sobbing.
âI do wish dear Yvonne would learn to control herself. We Hollands know how to disguise our emotions. Lack of control is so ill-bred, donât you think so, Mrs Matheson? But of course poor Yvonne hasnât had a chance. Good breeding is innate, I always say.â
I stood up.
âWhat are you going to do?â Mrs Mulqueen asked sharply.
âNothing,â I replied, and sat down again. âCouldnât you stop your brother bullying that young girl?â
âYou mustnât worry about Yvonne. She just doesnât understand James. She has no idea how to handle him. Not like Ursie, now. So sweet and pliable. James just dotes on my little girl.â
I sat helpless. Bits of incoherent conversation escaped. But only one sentence came clearly through the study door. Yvonneâon a high, hysterical noteâsobbed out: âYou child-murderer! I could kill you