Snapshot
with saving cash at the expense of expertise. There were so many times that not only was a proper photographer needed but that it cried out for film rather than digital. Something like bite marks could never be done well enough on digital, you needed film to get the depth of detail you needed when you went into court. Winter had learned his trade on an old Hasselblad H4D that gave you just twelve shots and you had to make damn sure that every one of them counted. As far as he was concerned, the forensics wielded their cameras like scatterguns.
    Winter knew he didn’t have too much room to complain on that front though because at least the previous Chief Constable had sense enough to value what he did, and didn’t kick him into touch with the rest of the snappers. Of course it hadn’t hurt that Sir Ed Walker was a camera buff and appreciated the finer points of agitation and hyperfocal distance. Nor did it do any harm when Winter made a first-class job of the Chief’s official photo for the Pitt Street reception wall and did a freebie family portrait of him with the wife and kids. Even when natural wastage and the ravages of Inhuman Resources took their toll on the force’s photographers, Walker ruled that someone should be kept on for specialist purposes. Winter was the cockroach that survived the nuclear holocaust.
    Being the exception didn’t endear Winter to everyone but that was hardly his problem. Two Soups could moan all he liked about wanting to standardize the department but Winter’s work spoke for itself and there was nothing he could do about it. The new chief, Grant Gordon, was happy enough with the arrangement.
    The only other proper snapper left in the west was an old-timer named Barrie Marshall who worked out of Argyll, Bute and West Dunbartonshire, covering everything from the edge of civilization to the islands and southern teuchterland. He’d been in with the bricks so long that HR seemed to have forgotten he was there so he’d also managed to escape the cull and spent his days happily photographing ransacked birds’ nests and break-ins at distilleries. Not that that would have worked for Winter; he needed more.
    He needed more than Sammy Ross too. It had been dull fare spending forty-five minutes filing every available bit of information they had on him. Twenty-two photographs from twenty-two angles and distances, every curl of skin, every tear of tissue, every bruise, entry point, exit wound and expression. It was all pretty mundane stuff.
    Only the disappointed look on Sammy’s face was of real interest on the basis that a glimpse into eternity is always worthwhile. Back in the day they believed you could see the reflection of the killer in the eyes of a murder victim. Of course it sounded bollocks but maybe no more ridiculous than Winter thinking he could see death through a lens. Look into the eyes of any of Glasgow’s victims and you’ll be staring into the same deep pool of murky darkness that Winter saw in the drug dealer’s pupils. All the very same shade of black.
    The phone mercifully rang and he found himself wishing for a bit of murder, mayhem or carnage. Maybe a nice shooting. Whatever it was, he wasn’t for sharing it.
    Two minutes later the phone was back on the hook and he was shutting down his PC. It wasn’t great but at least it was getting him out of there. A seventeen-year-old kid had been beaten up and one knee trashed with a baseball bat. The teenager was now holed up in the Royal where the cops were about to interview him.
    The Infirmary was a mile away across the city centre so he had the choice of taking twenty minutes to walk there from Pitt Street or nineteen minutes to drive. He’d drive.
    Glasgow Royal is like so many of the city’s hospitals. A two-hundred-year old maze that costs a fortune to heat and to repair. Next to no parking, under-staffed and under-funded, over-used and always in the crosshairs of the bean-counters’ sniper. It sits on the
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