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might have been one scream only, and he threw himself against the door, and it was old but never had been well built, and it came away, off its hinges, in one rotten crack, and he was inside, and the most beautiful young black woman he had ever seen was tearing the rats off her baby. He left the check on the kitchen table, he did not have ah affair with her, he did not see her fall from the apartment window, six storeys into a courtyard, and never knew if she came back from the grave to escape the rats that gnawed at her cheap wooden casket. He never loved her, and so was not there when what she became flowed back up through the walls of the tenement to absorb him and meld with him and become one with him as he lay sleeping penitently on the filthy floor of the topmost apartment. He left the check, and none of that happened.
     
    LEVENDIS: On Tuesday the 15th of October, he stood in the Greek theatre at Aspendos, Turkey, a structure built two thousand years earlier, so acoustically perfect that every word spoken on its stage could be heard with clarity in any of its thirteen thousand seats, and he spoke to a little boy sitting high above him. He uttered Count Von Manfred's dying words, Schumann's overture, Byron's poem: "Old man, 'tis not so difficult to die." The child smiled and waved. He waved back, then shrugged. They became friends at a distance. It was the first time someone other than his mother, who was dead, had been kind to the boy. In years to come it would be a reminder that there was a smile out there on the wind. The little boy looked down the rows and concentric rows of seats: the man 'way down there was motioning for him to come to him. The child, whose name was Orhon, hopped and hopped, descending to the center of the ring as quickly as he could. As he came to the core, and walked out across the orchestra ring, he studied the man. This person was very tall, and he needed a shave, and his hat had an extremely wide brim like the hat of Kül, the man who made weekly trips to Ankara, and he wore a long overcoat far too hot for this day. Orhon could not see the man's eyes because he wore dark glasses that reflected the sky. Orhon thought this man looked like a mountain bandit, only dressed more impressively. Not wisely for a day as torpid as this, but more impressively than Bilge and his men, who raided the farming villages. When he reached the tall man, and they smiled at each other, this person said to Orhon, "I am an unlimited person living in a limited world." The child did not know what to say to that. But he liked the man. "Why do you wear such heavy wool today? I am barefoot." He raised his dusty foot to show the man, and was embarrassed at the dirty cloth tied around his big toe. And the man said, "Because I need a safe place to keep the limited world." And he unbuttoned his overcoat, and held open one side, and showed Orhon what he would inherit one day, if he tried very hard not to be a despot. Pinned to the fabric, each with the face of the planet, were a million and more timepieces, each one the Earth at a different moment, and all of them purring erratically like dozing sphinxes. And Orhon stood there, in the heat, for quite a long while, and listened to the ticking of the limited world.
     
    LEVENDIS: On Wednesday the 16th of October, he chanced upon three skinheads in Doc Martens and cheap black leatherette, beating the crap out of an interracial couple who had emerged from the late show at the La Salle Theater in Chicago. He stood quietly and watched. For a long while.
     
    LEVENDIS: On Thursday the 17th of October he chanced upon three skinheads in Doc Martens and cheap black leatherette, beating the crap out of an interracial couple who had stopped for a bite to eat at a Howard Johnson's near King of Prussia on the Pennsylvania Turnpike. He removed the inch-and-a-half-thick ironwood dowel he always carried beside his driver's seat and, holding the 2½' long rod at its centerpoint, laid alongside