knew how lipstick got itself made because Mr. H did a fair business selling low-grade garnets. Some fancy men in Paris crush them up into a powder finer than salt and stir the gems in with deer fat. They put a sweet scent on it but I could still smell the deer. When I put it on my lips I could taste it. The blood and the beating of the deer’s fright in the forest. I smelled her perfume. It gave me the oddest feeling, like I was smelling an emerald. But not a real emerald, which I imagine has no particular smell. Best I can explain is that stopper was soaked in a smell like the idea of an emerald, the idea of greenness and growing and wealth, a kind of fine light that could make a rock bloom.
Mrs. H smelled like jewels. Like the produce of the earth that Mr. H chased all over here and gone. She smelled like a perfect high-yield mine and I got out of that room on the quick.
I found the mirror on account of the paintings in my dime museum. Sometime in the autumn they changed to hunting scenes: Chinese men shooting arrows at an ugly black unicorn, Spaniards hauling harpoons at a giant squid with a whale in its ropy arms, sourfaced men sitting on top of stacks of buffalo like thrones of meat. Thompson the red fox did not like these paintings but I reassured him. I thought of the seagull with my bullet in her eye. I ran my fingers over Rose Red in her holster, the red pearls on her grip. Probably I did not please Mr. H anymore at all. I reckoned Rose Red could not kill a whale or a thousand buffalo but if a stunted black unicorn with an antler for a horn and tiger stripes on its rump got a hankering for red fox, I could handle the situation.
In considering my shootout with the unicorn, I came to see the corner of the painting was curling up away from the frame a little. A Chinese woman with gold ink in her dress covered her eyes so as not to see the skinning of the unicorn nor the sharing out of the liver and the heart, which I have heard hunters do to honor the dead thing, or else perhaps those parts are tasty. I picked at her a little and she gave way like she couldn’t wait to get out of the whole scene.
Underneath the weeping lady, Mrs. H’s silver mirror peeked out.
I rolled up the painting and rested it on the top of the frame—that familiar wooden frame like cold stone. I hadn’t recognized it. I admit that I am a damn fool sometimes. The mirror showed the same black starless sky as before. I looked into it for a long while. The sun in the world outside the mirror turned orange and then red like a leaf in a hurry but inside the mirror it stayed night. I set out my feelings on the matter in an orderly fashion, a poker hand on the table of my spirit.
Pair of Aces: this is my place and she has been here. She has left part of herself here. She has invaded the place where I am most myself and stuck a flag in it. Pair of Eights: this is my place and she has made it hers but that goes both ways. I have this piece of Mrs. H and it belongs to me. She put it in my kingdom.
Queen of Diamonds: she left part of herself here to watch me.
Snow White
Juggles Her
Own Eyes
The moon came on in the mirror.
This time I did not run off. The mirror was an animal, like Thompson or the crocodile. You have to show it you’re not gonna hurt it, maybe feed it a little, before it stops thinking you’re prey or predator or both. I fed the mirror my face and the moon came on inside it like a huge white eye. I had already seen this trick. But I did not know how to make it do anything else. I just kept looking into it, counting craters, and I guess the mirror got fed up because the moon started creaking and spinning and before the dark side came around to the light it had turned into Mrs. H on her knees scrubbing a marble floor with pink veins forking through it.
Mrs. H was young. You could tell she wasn’t Mrs. H yet. Her whiskey-colored hair was braided up tight and I could see dirt under her fingernails. She scrubbed and