land.
âHe seemed a little depressed,â I say, my throat filled with static.
âWas that unusual for him?â Rogers inquires, pen poised above his little white pad.
âNot really.â I look up to find both detectives watching me carefully. âI mean, Luke could sometimes get into a mood, but so can everyone. If youâre asking me if I thought that he would bring a gun to school and mow down fifteen of our classmates, I had no clue.â
Anger wells up inside me. I know theyâre wondering the same thing I amâhow could I have not known? How could I have lived one room away from him for the past seventeen years and not even thought once that something was so wrong? So utterly unfixable?
The detectives exchange a look between them but say nothing in response.
âHad Luke ever talked to you about buying a gun?â
(âthe long barrel looming over me, Lukeâs face, his cocoa-colored eyes reflected in mine. âHey,â he said, as if everything was normal. âHey,â he said, like he was about to ask if I wanted to go and get ice cream the way weâd done countless times since I was small. He hated chocolate, but loved whipped cream. Rainbow sprinkles. These are the things I remember about my brother. This is what is left to meâ)
I cannot speak. I stare ahead dumbly and listen to the rustle of people lining our front walk through the windows, curtains drawn like a veil.
âDid Luke know how to shoot?â Detective Rogers tries again, his tone slow and pointed, as if I have brain damage. I wonder if heâs asked my parents these same exact questions, the words hitting their mark like so many sharp knives.
âYeah,â I manage to say, clearing my throat. âMy dad taught him a few summers ago on one of their trips. I think it was at some shooting range, but youâll have to ask him. I think heâs upstairs . . .â My eyes drift toward the ceiling. I imagine my mother and father at night, each moored on their own side of the mattress, the distance between them growing even wider, a chasm splitting the bed in two.
âDid Luke ever talk to you about buying a gun or wanting to purchase a weapon of any kind?â
âNo.â My voice comes out in a squeak, and I stare at the wallpaper behind their heads, the flowers and leaves twining together, green and beige.
âDo you need a break, Alys?â Marino asks, his tone not unkind, careful, this time, to say my name correctly. He leans forward, places his pad down on the coffee table between us. âWe can stop for a minute if you like.â
Stop for a minute. I want everything to stop for a minute. Longer, even.
âNo, Iâm okay.â I look over at Marino, my eyes snapping back into focus, and take a deep breath, letting it out slowly.
âDid you and Luke have a good relationship?â
(âI remember Lukeâs broad back as he dove into the lake the summer I was nine. âCâmon, slowpoke! Iâll catch you.â The slap of cold water against my legs, my brotherâs hands holding me up like a buoy. Weightless. âIs this swimming or drowning?â I ask, quizzical and silly, spitting water from my mouth in a fountain. Lukeâs face is serious, contemplative, as he considers the question, his head cocked to the side, droplets of water glistening on his forehead.
âWhich do you want it to be, Alys?ââ)
The room spins. It dawns on me that there is a very real possibility I will spew the two bites of toast Iâve managed to swallow all over my motherâs Oriental rug. I imagine the detectiveâs shocked expressions, my vomit, messy and stinking of rottenness, cracking their professional poker faces, and I almost want it to happen. There was a darkness in him even then, on that perfect summer day, pulsing somewhere below the surface, waiting to emerge.
âAlys.â Rogers jumps in this time.