my hair. âMy Rosie. Nothing matters but you. Not before, not now, not ever. You are the reason I want to teach here. The reason for everything. To take care of you, to make a life with you, thatâs all that matters.â
What words could answer? I had, I think, tethered myself to the notion that someday a man would love me, and keep me safe, and I would become whole and able to greet the world without fear. I had married Fred believing that he was my chance for happiness. Now I was certain my luck had truly turned for the better. âGo on, then,â I told him. âGo see the campus. Iâll be fine.â Eyes still damp from weeping, I grinned and pushed him off the bed. âGet going. Iâll see you tonight. Iâll be fine here, Freddy. Go.â
His relief was palpable.
I waited in the room until I heard the front door slam behind the men, listened to the sounds of china and glassware clinking as breakfast dishes were cleared from the table. I let my heart quiet and my tears dry, and then I slipped down the hall to the bathroom, to get ready to spend my first full day with Shirley Jackson.
â¢Â   â¢Â   â¢
I WAS NERVOUS . The evening before, she had been hard work to keep up with. Half the time I didnât even know who we were talking about: Howardâs name came up twenty times before I realized she meant the poet Howard Nemerov. Paul? That was the painter Paul Feeley. They were friends with Ralph Ellison; the up-and-coming writer Joyce Carol Oates had recently spent a weekend. They knew everybody at
The New
Yorker
; Stanley wrote for the magazine. At one point, Stanley said something offhand about Shirleyâs story âThe Lottery.â Iâd read it, a long time before, about a ritual stoning in a New England village, and I opened my mouth, eager to contribute and delighted that I could, but before I could gather words together, Shirley made a joke about a professor of theirs from Syracuse, someone named Brown, and Fred seemed to know who he was and they were all laughingâeven their oh-so-knowledgeable kidsâand I was left behind again.
So that morning, I admit I went down the stairs slowly, already worried I would be unable to entertain my formidable hostess.
She was in the kitchen, leaning against the sink with the water running. Yesterdayâs dress again. A cigarette trailing smoke. Her hair caught up in a limp ponytail. She was watching something outthe window, staring intently, and I didnât want to startle her, so I cleared my throat before taking a step across the threshold.
âGood morning,â she said, not turning. âThereâs coffee on the stove.â Her voice was different from the night before, lower, the sound of countless cigarettes effable.
âWhat a wonderful sleep I had,â I offered, knowing even as I spoke how dishonest the words sounded.
âI have to sleep,â she said. âIf I donât, I canât work.â She glanced over her shoulder, meeting my gaze frankly. Like me, sheâd been crying. âAnd if I donât work, itâs bad. We need the money. Four kids, this house, you can imagine.â She tightened both faucets, and took her apron off, leaving the dishes in the sink.
Weâd not talked about whether I would work, Fred and I. His mother never had; she was pretty and helpless and hardly knew how to open and shut the windows in their apartment. Her job at the store was little more than a social position, a way of visiting with her friends, keeping an eye on their children. Fredâs fatherâmost of the fathers I knew, my own the sole exceptionâwould have been embarrassed if his wife had to contribute to ongoing expenses. A wife could work for something specific; if she wanted to buy new furniture she could take a job in a department store and reap the discount, without shame. Though most of the women I knew had been forced to work on and off