brother here, Nathan, his sheet is about twice as long. Assault with a deadly weapon, robbery, armed robbery ⦠He was in Walpole for six years and then jumped parole back in February. We were lucky the state police had an APB out for him.â
Kyung studies the photos again. Dell and Nathan Perry. White trash names if he ever heard them, probably from some country backwater down South. He doesnât understand how they ended up in Marlboro, in a neighborhood so wealthy that driving an older-model car feels like a crime.
âWhat was this one on parole for?â
Lentz pretends not to hear the question.
âWhat was he on parole for?â Kyung repeats, loud enough to turn heads this time.
âIt was rape, okay? Jesus, be quiet.â Lentz collects his photos and walks away, disappearing down the corridor.
Kyung knew the answer before he heard it. He knew the minute he saw Marina leaving the house. As she walked down the front steps, the wind lifted a corner of the bedsheet and he caught a glimpse of her bare skin. There were rope burns around her ankles. He could guess what the ropes were for. Marina is young and prettyâa nice Bosnian girl with a figure thatâs hard not to notice. Usually, she cleans for his parents on Tuesdays and Fridays. Itâs Saturday now. He wonders how long they were trapped in that house together, and his chest begins to tighten. He wants to know what they did to his mother. He does, but he doesnât.
Across the room, Gillian appears, her long red hair looking even wilder than usual. She seems harried, as if she sped the entire way and left the headlights on in the parking lot. She tries to squeeze into the waiting area, but three officers form a wall to block her from entering. Before Kyung can get up, his father-in-law pushes the men aside and leads her through the crowd, depositing her in the empty seat next to Kyung.
âWhereâs the kid?â Connie asks.
âI finally got a neighbor to watch him.â She takes Kyungâs hand, squeezing it tightly. âTim told me everything on the phone. Iâm so sorry,â she says. âIâm so, so sorry.â
âYou shouldnât be here right now, Gilly. Neither of you, really. Maybe you should both head home for the night.â
âDad,â Gillian snaps. âWeâll decide whether to stay or go.â
Kyung has seen this a thousand times. Connie pushing, Gillian pushing back. Tim could never get away with it, but Gillian always does, probably because sheâs a girl, the baby of the family. Connie returns to a huddle of older officers, most of whom are standing with their arms crossed or their hands in their pockets as if theyâre waiting for something. Waiting for what? he wonders.
âWhoâs looking after Ethan?â
âMarianne.â
He pictures all the women in their neighborhood, unable to match the name with a face. âWhich one is she?â
âDonât worry. Heâll be fine. What do you need right now?â
A gun comes to mind, not that heâd know what to do with it. âI couldnât even tell you.â
âIâm so sorry,â she repeats, rubbing circles into his back.
She wasnât supposed to be here. He told her to stay home with Ethan, but now that sheâs sitting beside him, Kyung doesnât mind. Gillian knows heâs not a talker; he never has been. She doesnât press him for details or ask any unnecessary questions. She just reaches into her book bag and hands him a bottle of water. Then she opens one for herself. He wonders if sheâll offer him a cookie or granola bar next because this is who she is now, the type of woman who carries snacks in her bag. They sit like this for several minutes, looking around the room but not speaking to each other. Kyung studies the elderly couple wedged in the corner, shaded by the canopy of a potted palm. The husband is dressed in pajamas and a robe,