Shadow and claw
again. It was the first time I had ever touched a piece of gold. Orichalks I had seen in some plenty, and I had even possessed a few of my own. Silver asimi I had glimpsed once or twice. But chrisos I knew only in the same dim way I knew of the existence of a world outside our city of Nessus, and of continents other than our own to the north and east and west.
    This one bore what I at first thought was a woman's face - a woman crowned, neither young nor old, but silent and perfect in the citrine metal. At last I turned my treasure over, and then indeed I caught my breath; stamped on the reverse was just such a flying ship as I had seen in the arms above the door of my secret mausoleum. It seemed beyond explanation - so much so that at the time I did not even trouble to speculate about it, so sure was I that any speculation would be fruitless. Instead, I thrust the coin back into my pocket and went, in a species of trance, to rejoin my fellow apprentices.
    To carry the coin about with me was out of the question. As soon as there was an opportunity to do so, I slipped into the necropolis alone and sought out my mausoleum. The weather had turned that day - I pushed through drenching shrubbery and trudged over long, aged grass that had begun to flatten itself for winter. When I reached my retreat it was no longer the cool, inviting cave of summer but an icy trap where I sensed the nearness of enemies too vague for names, opponents of Vodalus who surely knew by now that I was his sworn supporter; as soon as I entered they would rush forward to swing the black door shut on newly oiled hinges. I knew that it was nonsense, of course. Yet I also knew there was truth in it' that it was a proximity in time I felt. In a few months or a few years I might reach the point at which those enemies waited for me; when I had swung the ax I had chosen to fight, a thing a torturer does not normally do.
    There was a loose stone in the floor almost at the foot of my funeral bronze. I pried it up and put the chrisos under it, then muttered an incantation I had learned years before from Roche, a few lines of verse that would hold hidden objects safe:
    "Where I put you, there you lie,
    Never let a stranger spy,
    Like glass grow to any eye,
    Not of me.
    Here be safe, never leave it,
    Should a hand come, deceive it,
    Let strange eyes not believe it,
    Till I see."
    For the charm to be really effective one had to walk around the spot at midnight carrying a corpse-candle, but I found myself laughing at the thought - which suggested Drotte's mummery about simples drawn at midnight from graves - and decided to rely on the verse alone, though I was somewhat astonished to discover that I was now old enough not to be ashamed of it.
    Days passed, and the memory of my visit to the mausoleum remained vivid enough to dissuade me from making another to verify that my treasure was safe, though at times I longed to do so. Then came the first snow, turning the ruins of the curtain wall into an almost impassably slippery barrier, and the familiar necropolis into a strange wilderness of deceptive hummocks, in which monuments were suddenly too large under their coats of new snow, and the trees and bushes crushed to half size by theirs.
    It is the nature of apprenticeship in our guild that, though easy at first, its burdens grow greater and greater as one comes to manhood. The smallest boys do no work at all. At the age of six, when work begins, it is at first no more than running up and down the stairs of the Matachin Tower with messages, and the little apprentice, proud of being entrusted with them, hardly feels the labor. As time progresses, however, his work becomes more and more onerous. His duties take him to other parts of the Citadel - to the soldiers in the barbican, where he learns that the military apprentices have drums and trumpets and ophicleides and boots and sometimes gilded cuirasses; to the Bear Tower, where he sees boys no older than himself learning to
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