doesn’t matter, Pete. It doesn’t hurt at all, now.”
He sprang to his feet again. “I’m going for a doctor.”
“Don’t go away. Please don’t go away and leave me. Please don’t.” There were tears in her eyes. “Wait just a little while. Not very long, Pete.”
He sank to his knees again. She gathered both his hands in hers and held them tightly. She smiled happily. “You’re good, Pete. You’re so good.”
(She couldn’t hear the blood in his ears, the roar of the whirlpool of hate and fear and anguish that spun inside him.)
She talked to him in a low voice, and then in whispers. Sometimes he hated himself because he couldn’t quite follow her. She talked about school, and her first audition. “I was so scared that I got a vibrato in my voice. I’d never had one before. I always let myself get a little scared when I sing now. It’s easy.” There was something about a windowbox when she was four years old. “Two real live tulips and a pitcherplant. I used to be sorry for the flies.”
There was a long period of silence after that, during which his muscles throbbed with cramp and stiffness, and gradually became numb. He must have dozed; he awoke with a violent start, feeling her fingers on his face. She was propped up on one elbow. She said clearly, “I just wanted to tell you, darling. Let me go first, and get everything ready for you. It’s going to be wonderful. I’ll fix you a special tossed salad. I’ll make you a steamed chocolate pudding and keep it hot for you.”
Too muddled to understand what she was saying, he smiled and pressed her back on the settee. She took his hands again.
The next time he awoke it was broad daylight, and she was dead.
Sonny Weisefreund was sitting on his cot when he got back to the barracks. He handed over the recording he had picked up from the parade ground on the way back. “Dew on it. Dry it off. Good boy,” he croaked, and fell face downward on the cot Bonze had used.
Sonny stared at him. “Pete! Where’ve you been? What happened? Are you all right?”
Pete shifted a little and grunted. Sonny shrugged and took the audiovid disk out of its wet envelope. Moisture would not harm it particularly, though it could not be played while wet. It was made of a fine spiral of plastic, insulated between laminations. Electrostatic pickups above and below the turntable would fluctuate with changes in the dielectric constant which had been impressed by the recording, and these changes were amplified for the video. The audio was a conventional hill-and-dale needle. Sonny began to wipe it down carefully.
Pete fought upward out of a vast, green-lit place full of flickering cold fires. Starr was calling him. Something was punching him, too. He fought it weakly, trying to hear what she was saying. But someone else was jabbering too loud for him to hear.
He opened his eyes. Sonny was shaking him, his round face pink with excitement. The audiovid was running. Starr was talking. Sonny got up impatiently and turned down the audio gain. “Pete! Pete! Wake up, will you? I got to tell you something. Listen to me! Wake up, will yuh?”
“Huh?”
“That’s better. Now listen. I’ve just been listening to Starr Anthim—”
“She’s dead,” said Pete. Sonny didn’t hear. He went on explosively, “I’ve figured it out. Starr was sent out here, and all over, to beg someone not to fire any more atom bombs. If the government was sure they wouldn’t strike back, they wouldn’t have taken the trouble. Somewhere, Pete, there’s some way to launch bombs at those murdering cowards—and I’ve got a pretty shrewd idea of how to do it.”
Pete strained groggily toward the faint sound of Starr’s voice. Sonny talked on. “Now, s’posing there was a master radio key, an automatic code device something like the alarm signal they have on ships, that rings a bell on any ship within radio range when the operator sends four long dashes. Suppose there’s an automatic