physicists and have been immortalized in the measurement of energy . . . joules and newtons. Every day we measure the atmospheric heat in either Fahrenheit or Celsius. The first was a German physicist, the second a Swedish astronomer.
“We measure distance and height and speed and brightness. If you wish to buy anything from a shoe to a sheet of paper, you ask for it by size. There are measuring units that many people have never heard of. Can you tell me what a pyron is? Or a palmo? Or a petaflop? But here is the strange thing. There has never been a measurement for something we experience almost every day of our lives.
“There has never been a measurement for pain.
“Can you imagine how useful it would be if you went to the dentist and he was able to reassure you? ‘Don’t worry, my dear fellow, this is going to hurt only two and a half units.’ Or if you went to the doctor with a damaged knee and were able to tell him that it hurt three units down here—but seven-point-five units up here, above the knee? Of course, it is very difficult to measure pain. It all depends on how our nerves react and what the stimulus is—the knife, electricity, fire, acid—that has caused the pain. But I still believe it is possible to develop a universal scale. And I very much hope that one day the unit of pain will indeed be named after me. The Razim. And people will be able to say exactly how many Razims will result in certain death.”
Fontaine was staring at Razim as if seeing him for the first time. “You’re mad,” he whispered.
“All the great inventors have a certain madness,” Razim agreed. “They said the same of Galileo and Einstein. It is what I would expect you to say.”
“Please . . .”
“I would also expect you to beg. But I’m afraid it will do you no good.”
Razim leaned over the trolley and considered. It would be interesting to see how long this Frenchman would survive. Of course, for the sake of accuracy, he would have to experiment on women. And if one ever came his way, a teenager would be useful too. Everybody reacts to pain in different ways and he needed to examine the full spectrum. He made his decision and chose an instrument.
Moments later, the needles on the various monitors leapt forward as the first screams rang out into the night.
3
FLY-BY-NIGHT
THE TOURIST BOAT WAS MOORED at the Quai de la Loire, on the very western edge of the city. But the people who stepped on board four months later on a bright afternoon in June most definitely were not tourists.
It had been Max Grendel, the oldest member of Scorpia, who had decided that they should have a floating office in Paris. This had been one of the last decisions he had made, as he had died a few months later, stung to death in a gondola in Venice. The bateau-mouche —literally “fly boat”—looked like any one of the pleasure craft gliding up and down the river. It was long and narrow with a flat bottom and a low canopy made almost entirely of glass to give its passengers the best possible views. Inside, however, it was very different. Instead of rows of seating for two or three hundred sightseers, there was a single conference table and twelve chairs. A soundproof wall separated this area from the cabin where the captain and the first mate stood at the controls. The rest of the crew, four men in their twenties, stayed on the deck. They were not allowed to look into the cabin. They stood as still as the statues that lined the bridges, their eyes fixed on both banks of the river, searching for any movement that might be construed as enemy action.
Grendel’s idea wasn’t quite as odd as it might seem. Unlike a building, a boat would be impossible to bug, particularly as it was kept under twenty-four-hour guard and thoroughly swept before any meeting. Also, unlike a building, it could move, so anyone trying to eavesdrop on what was being said would have to move too, at equal speed. And as the ship was fitted with a Ruston 12RK