Don Lee's rolling chair close with his foot, he sank into it.
"This, what we have here, is . . . kind of the second edition? My first go at something like it was wholly unintentional. I was living with a friend, a critical-care nurse, in an old house out in the country, this was back in Iowa, and weekends we'd have other friends string in from all around, Cedar Rapids, Des Moines, Moline, even Chicago. Sometimes they wouldn't leave when Sunday night came, they'd stay over a day or two. Some of the stays got longer and, with the house an old farmhouse, there was plenty of room. One day Merle and I looked around and the thought hit both of us at the same time: We've got something here. By then, anywhere from half a dozen to a dozen people were resident or next door to being so.
"But things change, things that just happen, once you begin paying attention to them. People who've always been perfectly happy cooking up pots of spaghetti aren't around when dinnertime comes, Joanie's bread goes stale and gets fed to birds, people stay in their rooms, wander off into town . . . It was all over the space of six months or so. Toward the end, Merle and I were sitting outside in the sun one afternoon. He asked if I'd like a refill on iced tea, poured it, and handed it to me. 'Not working out quite the way we hoped, the way we saw it, is it?' he said. It was going to take a while, I said. He was quiet for moments, then told me he had a job over in Indiana, at the university hospital there, and would be leaving soon.
"Thing is, I wasn't so much upset that he was leaving as I was that he'd done it all, the planning, applying, without telling me. You've kept yourself pretty damn busy, he replied when I voiced that. And I'd already started to say, 'Yes, building the . . . ' when I realized that, first, I wasn't building anything, and second, I didn't even know what it was I'd thought I was building."
This wasn't quite the same story I'd heard a couple of years back, but storytellers do that. We all do, memories shifting and scrunching up to fit the story we want to tell, the story we want to believe. And maybe it's enough that the teller believes the story as he tells it.
"That's the long of it," Isaiah said just as the phone rang. Red Wilson, complaining about his neighbor's barking dog. Red had recently moved into town after seventy-odd years on the farm. City life, he wanted me to know, was gettin' on the one nerve he had left.
"And the short?" I asked Isaiah after assuring Red I'd be out his way later that afternoon and hanging up the phone.
"There was a period when we didn't, but following that, Merle and I kept up over the years. He knew what we were doing here and kept saying he wanted to come see it for himself. Three months ago he set a date. When he didn't show up as planned, I thought, Well, something's come up at the hospital. Or, he was always driving these junker cars that gave out on him at the worst possible moment—maybe that was it. No response to my e-mails. I even tried calling, home and hospital both, but he wasn't either place.
"Yesterday, I finally found him," Isaiah said. "He was killed two weeks ago on his way here. In Memphis."
CHAPTER SIX
SOME NIGHTS the wind comes up slowly and begins to catch in the trees, first here, then there, such that you'd swear invisible birds were flitting among them.
The dreams began not long after Val's death. I was in a city, always a city, walking. Sometimes it looked like Memphis, other times Chicago or Dallas. There was never any sense of danger, and I never seemed to have any particular destination to reach or any timetable for doing so, but I was lost nonetheless. Street signs made no sense to me, it was the dead of night, and no one else was around, not even cars, though I would see their lights in the distance, lashing about like the antennae of dark-shrouded insects.
I'd wake to the trees moving gently outside my windows and often as not go stand out among them.
As I
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