close. A peaceful expression.
Jakeâs twenty years old now. Comatose fifteen years. Were it not for a certain slackness of features heâd be a handsome young man. He grows a wispy beard, which his mother shaves with an electric razor. Iâve visited a few times over the years. I sat beside the bed holding his hand, so much larger than the one I held all those years ago. He smiled at the sound of my voice and laughed at one of our shared jokes. Maybe just nerves and old memories. Every penny I make goes to him. Gail and Steve take it because they can use it, and because they know I need to give it.
There are other ways. I know that. You think I donât know that?
This is the only way that feels right.
Nicodemus rises to one knee. He looks like something risen from its crypt, shattered jaw hanging lopsidedly, bloodshot eyes albino-red. Pain sings in my broken hand and I vaguely remember a song my mother used to sing when I was very young, sitting on her lap as she rocked me to sleep, beautiful foreign words sung softly into my hair.
He makes his way across the ring and I dutifully step forward to meet him. We stand facing each other, swaying slightly. My eyes swelled to slits and he moves in a womb of mellow amber light.
And I see this:
A pair of young-old eyes opening, the clear blue of them. A hand breaking up from sucking black water, fist smashed through the ice sheet and a body dragging itself to the surface. A boy lying on the ice in the ashy evening light, lungs drawing clean winter air, eyes oriented on a sky where even the palest stars burn intensely after such lasting darkness. I see a man walking across the lake from the west, body casting a lean shadow. He offers his hand: twisted and rheumatoid, a talon. The boyâs face smooth and unlined, preserved beneath the ice; the manâs face a roadmap of knots and scar tissue and poorly knitted bones. For a long moment, the boy does not move. Then he reaches up, takes that hand. The man clasps tightly; the boy gasps at the fierceness of his grip. I see them walking towards a distant house. Squares of light burning in odd windows, a crackling fire, blankets, hot chocolate. The man leans down and whispers something. The boy laughsâ a beautiful, snorting laugh, fine droplets of water spraying from his nose. They walk together. Neither leads or follows. I see this happening. I still hold a belief in this possibility.
We circle in a dimming ring of light, feet spread, fists balled, knees flexed. The crowd recedes, as do the noises they are making. The only sound is a distant subterranean pound, the beat of a giantâs heart. Shivering silver mist falls through the holes in the roof and that coldness feels good on my skin.
Nicodemus steps forward on his lead foot, left hand sweeping in a tight downwards orbit, flecks of blood flying off his brow as his head snaps with the punch. I come forward on my right foot, stepping inside his lead and angling my head away from his fist but not fast enough, tensing for it while my right hand splits his guard, barely passing through the narrowing gap and Iâm torquing my shoulder, throwing everything Iâve got into it, kitchen-sinking the bastard, and, for a brilliant split second in the center of that darkening ring, we meet.
THE RIFLEMAN
LET ME TELL YOU , the pure shooterâs a dying breed. Weâre talking pretty much extinct: think snow leopard, Komodo dragon, manatee. The dunk shot more or less killed the pure shooter: nowadays everyone wants to be a rim-rocker, shatter the backboard to make the nightly highlight reel. You got kids with pogo-stick legs leaping clear out the gym but these same kids cannot hit a jumpshot to save their life. Blame Dominique Wilkens, Michael Jordan, Dr. J. A few shooters still haunt the league, scrawny white riflemen hefting daggers from beyond the three-point arc; most Euros have a deft touch, skills honed in some backwater -vakia or -garia with no ESPN on
Brenna Ehrlich, Andrea Bartz