things to do.â
âEnough of your early-morning argey-bargey,â I tell her sternly. âWeâll take as long as we need.â
âItâll be an injection,â Milo says wisely. I notice that he has brought a comic; his small hands are busy tracing the âpâ in Simpsons. âThatâs what they always do in hospitals. Fuss around for ages then give an injection.â
âI hate injections.â Otis leans against the car door, one rubicund cheek squashed against the window. âThey hurt. The needles are too big.â
âBigger than straws,â her brother agrees gloomily.
âOr spaghetti,â says Otis.
They are silent for a moment. Milo rolls the comic, puts it in his jacket pocket, turns his head around.
Eventually he asks, âWhy is Mum a funny colour?â
I sneak a look in the rear-vision mirror. What I see shocks me â Kaz is very pale, almost grey, like a seagullâs feather. Her lips are colourless; she is sweating profusely, breathing heavily. Everything of her face â her jowls, cheeks, beneath her eyes, their lids â sags despondently.
We are nearly into the darkness of the valley. I give the accelerator a more urgent push. Around us the rushing light becomes dappled then, as we descend further, it is a night-sky fused with emeralds and onyx.
â All in the valley of Death, rode the six hundred ,â I hear.
âWhat?â
It must have come out of my mouth.
âItâs a poem,â I explain. âBy a man called Tennyson. Soldiers and horses and war and stuff. Cannon to the right of them, cannon to the left of them, cannon in front of them, volleyâd and thunderâd!â
Pause for reflection. The road flattens then rises beneath us.
â When can their glory fade ?â I whisper, wondering why there are small sharp tears stinging behind my eyes.
âYouâd better hurry,â Milo advises me. âBefore you go completely crazy.â
âAre we there yet?â Otis whines.
I have never liked hospitals. Maybe itâs because I wasnât born in one. Missing out on such a seminal experience has obviously influenced the ebb and flow of my life. In some ways it has been advantageous: I have a better story to tell than most people, who can bleat only of maternity wards, brusque midwives and menacing forceps.
âSomehow,â Kaz told me during our early days together, âthis is unsurprising. To find out that you were not born in a hospital is not at all surprising.â
âHow do you mean?â
âI mean, there are some people in this strange world who should never list a white wall and the smell of super-strength disinfectant as their first sensory experience. And youâre one of them.â
âI am?â
âDefinitely. Youâre so ⦠unconfined. Beginning life in a hospital prepares most of us for seventy-eight point something years of hopping from one institution to another. Hospital, home, crèche, school, university, work building, pension office, retirement home then morgue â in hospital again.â
âSans teeth, sans eyes, sans everything.â
âExactly. Youâre not like that. You flit between spaces, not institutions.â
âAre you always this philosophical?â
âOnly when freshly in love. So, where were you born?â
I grin wickedly, run a finger down the camber of her spine.
âGuess.â
âTypical. Okay, letâs begin with the conventional. Back seat of your Dadâs EH?â
âWe owned a beige Morris Minor.â
âOuch! Um ⦠in a meadow, besmirched by wildflowers and butterflies?â
âGiving birth, I am led to believe, is about blood, gunk and screaming. Itâs Macbeth played inside the womb. It is not romantic.â
âAgreed. On a beach, the crashing of waves carefully synchronised to each contraction?â
âHow very New Age. Kaz, my mother