circumstances would Major Connor OâBrien tempt trouble with yet another commanding officer by allowing big ears and eyes into the camp.
Trying to figure out the identity beneath her disguise, he asked audaciously, âHow old are you, Miss Marshall?â
âSixty.â
âIâve got aunts almost a decade under that, and they looked older than you.â Furthermore, as many times as the youthful Connor had massaged his grandfatherâs rheumatism-ridden shoulders, he had a working knowledge of how shoulder muscles deteriorated with age. More likely, India Marshall was one-third of sixty. Which meant she masqueraded as an older woman.
Why? These were times of civil war. The Confederates being desperate, now that they had lost their strongholds along the Mississippi River, India Marshall might be a spy.
Or she might have something else in mind, like hatching a prison escape. Let her try. He had another thought, a crazed one. If she causes trouble, Iâll see more action, of a sort.
After Gettysburg, though, he wasnât looking for trouble. He looked to stop it. Inhaling the scent of lavender that came softly from the fraudulent nurse-sanitarian, Connor said, âIf youâre sixty, Iâm one of Julius Caesarâs lieutenants.â
She scratched a finger into her hair. The kerchief moved, as did the entirety of that gray-flecked mop. Mop? Wig!
âTell me, Miss Marshall. What business do you have with my prisoners? I was under the impression your organization looked out for Union soldiers, not the enemy.â
She drilled her gaze into his. And he got a look at the eyes behind those square spectacles. Despite the smudge-black rings of fatigue rimming their bases, they were wonderful. Blue. Dark blue. As dark as the devilâs ink.
âScared of my question?â he taunted.
âI canât understand one word you two have said.â Poor Opal Lawrence set the ear trumpet on her lap.
Defiance shooting from the indigo depths of those eyes, India Marshall announced, âMy business is compassion. All that illnessâthose men arenât accustomed to Illinois winters. Have you not the charity one should have for a captured foe?â
âNone whatsoever.â His charity had vanished in the aftermath of Gettysburg.
âI pity your stingy heart, Major OâBrien.â
She sounded very like a Southern troublemaker. A true spy would take more care with commiseration, he reasoned. âUse your sympathy on our men. Weâve got guards living in vacant stores and hallways, over in Rock Island town. Theyâre old men in need of comforts, too.â
âIs yours a southern accent? From where do you hail?â
âMemphis, Tennessee, maâam. Whereâre you from?â
âCairo, Illinois.â Her voice held an accent not unusual in the southernmost town in Illinois, but her inflection gave it the same sound as that faraway city in the Arabic world.
âKay-roh. Itâs Kay-roh, Miss Marshall. Your name is Marshall, isnât it?â
âIt most certainly is. If I choose to say Cairo, you shouldnât show the ill breeding to correct me. You did knowââ
âWhy are you arguing?â Opal scrunched up her eyes, as if the action would aid in hearing the verbal exchange.
ââitâs quite common, and very rude, to correct someone.â India Marshall took on an expression of repugnance, as if Connor were something slimy and long-dead, just washed up in the juncture of the Ohio and Mississippi rivers at Cairo.
âIs it that you donât know better? Did your upbringing not lend itself to the fabled Southern gentleman? Perhaps yours is more the white-trash variety.â
White trash. As a youth, heâd overheard Aunt Phoebe unfairly call his mother that, often. He loathed that in an aunt otherwise adored.
âMrs. Lawrence . . .â
The youthful orderly assigned to the mansion entered the dining