flat roofs.
The landscape brightened in the environs of Sochaczewâpatches of woods, better houses, birch grovesâbut the struggle continued. People labored everywhere, doing clumsy jobs, shoveling, breaking rocks, chopping wood. All the work looked very hard, and Poland seemed like a glimpse of the past.
Catholicism is obvious, not only in the churches, and the rosaries people wear around their necks, and the way they bless themselves before the train starts; but also in the statuary. There was a statue of the Virgin Mary forty feet high, on an eight-foot pedestal, on the forecourt of the railway station at Szymann. That was something I had never seen in Italy or Spain, or even in Ireland, which claimed the Blessed Virgin as the Queen of Ireland. There were more Virgin Marys on pedestals in bean fields, and in the distance, beyond the man plowing, was always a Virgin Mary.
They served a devotional purpose, and it was possible they were useful in scaring birds, but I felt there was yet another motive in their ubiquity. They were the classic Our Lady of Fatima statues, and what the commissars didn't knowâbut something every Catholic learns earlyâis that the message Mary gave to the three little children at Fatima in Portugal, in 1917, was that if they prayed very hard, Russia was going to be converted from atheistic communism to Catholicism. "And now we will pray for the conversion of Russia," priests announced throughout the fifties, all over America.
That's what this statue represents to most Catholics and probably to all Poles: the Mother of God at her most political.
I had finished
Elmer Gantry
and given it five stars, and now I was reading Balzac's
Old Goriot.
A Polish proverb was quoted in that book: "Hitch five oxen to your cart"âmeaning take precautions so that nothing can go wrong. But reading this in Poland seemed very odd. There were no oxen at all, and the carts were rickety things. I spent an entire day traveling slowly through western Poland, almost 300 miles, from the East German border to Warsaw. I did not see any mechanized farming at all and not a single tractor. Instead, I saw the picturesque hopelessness of the farmer gently whipping his horse as the poor beast struggled with an old plowshare.
"It doesn't look too bad," Ellen Wittrick said, raising her eyes to Warsaw for the first time. The late-afternoon sun had gilded the facades of the narrow buildings on Jerozolomskie and given that whole block the look of Harrods.
"Get me out of here," Millie Westbetter whispered to Rick, who replied, "Take it easy, honey. We'll be back on the train tomorrow."
And then I gave them all the slip and plunged into Warsaw. Two men, one after the other, asked me to change money, at five times the official rate; that was outside the hotel. I crossed the street, and while I was looking at a big, clumsy chess set carved from purple wood, a man approached me with the same question. I was pursued by another man, and all the way down Marszalkowska asked the same money-changing question and quoted rates of exchange.
"Aren't you afraid of the police?" I said.
"The police change money, too," he said.
The merchandise in the shops looked substandardâthe clothes, the radios, the pots and pans, even the food: it looked unappetizing, the fresh food somewhat wilted and dusty, the canned food dented and with faded labels. And in every shop, my arm was tugged and the same question whispered, "Change money?" Poverty can make people look bowed down and beaten, but just as often it can make them shameless, fearless, predatory and dangerous. I found all these apparent lawbreakers rather worrying, but when I mentioned it to one man he said, "Don't worryâit's a double morality. Everyone does it."
This look of bankruptcy in Warsaw was also a facial expression: stricken, demoralized, lonely and a bit desperate, a look of suffering on some, cynicism on others. It is surprising that people so victimized can
Eugene Burdick, Harvey Wheeler