Libby. They need you. Iâll deal with this. Iâll figure something out . . .
Get her some food, at least . . . a shower .
Iâll call you. Let me see whatâs going on here .
Let her sleep . . .
Iâll call you . . . A doctor?
Weâll talk later today. Letâs just leave her here at the house for now. Thereâs nothing she can really do .
We canât leave her alone with Amber. Can you be here when she gets off the bus?
I open my eyes to see Ed holding Libbyâs head to his chest, his head bent so he can whisper in her ear, hers raised to whisper back, and if ever there was a position of love, that is it.
I slap the gravel, hard, with my palm, to stop my inside voices: I want the vocalchord voice. I do not want them to see how bad off I am. âIâm not going to hurt or kidnap Amber,â I hear myself say. âIf you could just let me rest.â
âGo,â Ed says firmly to Libby. âIâll work it out. Iâll call you.â
I hear the truck door slam, the pebbles of the driveway crack and snap, the murmur of retreating tires. When sheâs driven off, Ed gets on his hands and knees so that his head is right across from mine. I think that maybe heâll reach out and touch my head and bless me, but he does not. He waits until I open my eyes and look at him. Stare, stare, blink. A good coupla minutes go by. Finally, he props a water bottlenext to my face. âDrink this. Do you or do you not need a doctor? Answer me now.â
âI do not,â I say to the pebbles in front of my mouth. âI need sleep and food.â
He nods, agreeing with me. âI am trying. To. Find. Lovingkindness.â Then, âOh, Tess, you canâtââ Then, âSay something, anything, to help me find some warmth. Iâm human, too, Tess. With my own limitations. I can see youâre suffering. But youâve also caused so much of it . . .â
I donât move my head from the gravel, even when my ear and jaw hurt from the talking. âEd. Iâve got a side to the story. And it is influenced, in part, by you. The good comes from you. Iâm helping the immigrants start a new life. Right? Like you once did. You taught me.â The scrape on my cheek is opening up from the movement of my jaw, but still I donât move. âSo, Ed, for example, I always dropped off water and tennis shoes whenever I was in the middle of nowhere. Because, you know, you and Libby . . . last time I saw you, ten years ago, you said to . . . you know, act like a human because I was dealing with humans. Theyâre not just pollos , chickens who need to be crossed by the coyotes , they are individual lives, with loves and dreams and stories. You told me that once. I remembered.â
He puts his hand gently on my skull, on my greasy matted hair. âYes, Tess. And there are kind people, and there are dangerous people. You know that better than I. Youâre dealing with people who kill. And you come here, to your own kidâs home? Iâm worried because youâve often been so naive. I need to know the status. Anyone pissed at you? Is anyone coming after you?â He pulls his hand away. âSit up, Tess. Get up off the driveway.â
Brainspeed, please. Find a multisplendored lie. The chunks of gravel in front of me are beautiful: blues and grays and whites. âIâm done. I brought no trouble. Iâm really done.â I can hear the dream inmy voice, from the crazy place, from the fluid nature of being nearly gone. âBut you know, Ed? I did something smart,â I singsong. âI remember lying to Lobo, heâs the coyoteprimero . I told him I was from Oklahoma, from a town called Normal, and thatâs why I was so messed upâget it, that sad joke? And that was ten years ago, when I was first getting started. Slade might guess where I am, but thatâs okay because heâs a good man, a little like you, actually,