every balcony.
MAKO: But ultimately, we want a city. Deep in a city. Noir has to have a city. And a detective. I presume weâre talking about Anchises.
UNCK: I know, I know. Who else could it be? If we donât produce him pretty quickly, everyoneâll just be waiting for his entrance. Weâre telling a story everyone already knows. We gotta outrace their memory.
MAKO: I think heâs living back on Venus, now. Shouldnât be too hard to find him, if we want the man himself.
UNCK: Christ , no, heâs not gonna play himself! Iâm not a masochist. Let him rot in those stinking swamps. Iâll make him better than he ever was. Our great detective ⦠and heâs an amnesiac. Looking for his memory. Piecing his life togetherâand he canât do that without finding her . It writes itself. He hunts down the story, and he is the story. Get him a trench coat and a hat with a brim so sharp itâll cut the night. A revolver strapped to his hip, something big and mean looking. Fucking never stop raining on him. If I see a dry patch on that lantern jaw, so help me. We can even afford a voice-over if we want it.
     [indistinct]
UNCK: Well, I donât particularly give a shit, Vince. Whereâs your obsession with authenticity now? Severin made talkies. It practically has to have sound.
MAKO: [long sigh] Iâll talk to Freddy. So ⦠our man needs a love interest. Someone more mysterious than he is. Long legs, long hair, long gazes. If you donât put someone on-screen who loves him, the audience wonât know theyâre supposed to.
UNCK: Yes, now youâre talking. A proper dame, in stockings and a dress tighter than a close-up shot. Smoky, broken eyes. Not the innocent kind, though. A fatale. As if I know how to make any other kind of heroine. Youâd think after all these years Iâd be able to manage one Ophelia amidst all of my Lady Macs. But no. Itâs just not in me.
MAKO: You know, I donât think we have to go to Venus at all. Our detective will know he needs to go, heâll know itâs waiting up there, just sitting on the answers he wants like a stinking orange dragon, but he wonât be able to face the idea of it. Of those red shores. Of the sound of the whales. Of going home. [wry laughter] Of course, you know Severin would hate every second of it.
UNCK: [long pause] Sheâs not here. She started out like a heroine in one of my films. Why should she end up as anything else?
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The Deep Blue Devil : Come Find Me
Case Log: 14 December, 1961
It was closing in on midnight, the kind of midnight you only get on Uranus after a three-day bender. Ultramarine fog reeking of ethanol and neon and some passing whoreâs rosewater. Snow piled up like bodies in the street. Twenty-seven moons lighting up what oughta be a respectable witching hour so you canât help but see yourself staring back in every slick glowpink skyscraper. And the rings, always the rings, slashing down the sky, slashing down the storm, spitting shadows at the fella humping his carcass down Caroline Street, hat yanked down over his bloodshot eyes, coat hugged tight, shoes that need shining and a soul that needs taking in hand.
Thatâd be me. Anchises St. John, private nothing.
You can look at yourself everywhere you turn in Te Deum. The whole city is your shaving glass. Stare yourself down, scrunch up your eyes, and drag a dull blade down your cheek. The wall of the pub next to me flushed leek-green and I saw those sickly rings slicing across the skyline, disappearing through my neck and punching out again, a pure white shiv. I hear they used to make a big fuss over the light in Italy, painters and that crowd. Well, Iâve been to Italy, and the old girlâs got nothing to teach Uranus. A leprechaun would get a headache out here. Itâs the algae that does it. Algae in the ice, in the dirt, in the glass, in the big black