the razory road toward malice: an address in Brooklyn is now not altogether respectable. A peculiar irony, to be sure, for in this unfortunate region the average man, being on the edge of an outcast order, guards averageness with morbid intensity; he does, in fact, make of respectability a religion; still, insecurity makes for hypocrisy, and so he greets The Big Joke with the loudest hee-haw of all: “Yaaah, ain’t Brooklyn a kick—talk about funny!” Terribly funny, yes, but Brooklyn is also sad brutal provincial lonesome human silent sprawling raucous lost passionate subtle bitter immature innocent perverse tender mysterious, a place where Crane and Whitman found poems, a mythical dominion against whose shores the Coney Island sea laps a wintry lament. Here,scarcely anyone can give directions; nobody knows where anything is, even the oldest taxi driver seems uncertain; luckily, I’ve earned my degree in subway travel, though learning to ride these rails, which, buried in the stone, are like the veins found on fossilized fern, requires fiercer application, I’m sure, than working toward a master’s. Rocking through the sunless, starless tunnels is an outward-bound feeling: the train, hurtling below unlikely land, seems destined for fog and mist, only the flash-by of familiar stations revealing our identities. Once, thundering under the river, I saw a girl, she was sixteen or so and being initiated into some sorority, I suspect, who carried a basket filled with little hearts cut from scarlet paper. “Buy a lonely heart,” she wailed, passing through the car. “Buy a lonely heart.” But the pale, expressionless passengers, none of whom needed one, merely flipped the pages of their
Daily News
.
Several nights a week I have dinner at the Cherokee Hotel. It is an apartment hotel, and exceedingly antique, both in décor and clientele: the youngest Cherokee, as they call themselves, is sixty-six, and the oldest, ninety-eight; females, of course, predominate, but there is a skin-and-bone assortment of widowers, too. Now and then war breaks out between the sexes, and it is easy to deduce when this has happened, for the general sitting room will be deserted; there is a men’s parlor and a ladies’ parlor, and to these respective sanctuaries the embattled retire, the ladies in a pouting huff, the men, as always, silent, grim. Both parlors, along with a lot of depressing statuary, sport radios, and when a war is on, the ladies, who ordinarily are not in the least interested, turn the volume of theirs as loud as it will go, trying, as it were, to drown out the men’s after-dinner news. You can hear the boom three blocks away, and Mr. Littlelow, the proprietor, a nervous young man to begin with, scampers back and forth threatening to abolish the radios altogether, or, worse still, call in his guests’ relatives. From time to timehe has to resort to this last-mentioned measure; for instance, take the case of Mr. Gilbert Crocker, who sins so constantly poor Littlelow had at last to send for his grandson, and together they reprimanded the old man publicly. “A perpetual center of dissension,” accused Littlelow, a finger lifted toward the culprit, “he spreads vicious rumors about the management, says we read his mail, says we have a percentage deal with the Cascades Funeral Home, told Miss Brockton the seventh floor is closed because we’ve rented it to a fugitive from the law (an ax murderess, he said) when everybody knows the water pipes have burst. Scared Miss Brockton out of her wits; her heart-flutter is ever so much worse. We were willing to overlook all this, but when he started dropping light bulbs from the windows, we thought: well really, the time has come!”
“Why did you drop light bulbs, Grandfather?” said the grandson, glancing anxiously at his watch and obviously wishing the old man had met his Maker.
“Not light bulbs, son,” corrected Mr. Crocker patiently. “They were bombs.”
“Yes,