and let Banks and Annie pass. âFirst on the left. Let me take your coats.â
They gave him their overcoats and walked into a room lined with wooden shelves. On the shelves were hundreds, perhaps thousands, of long-playing records, 45-rpm singles and EPs, all in neat rows. Banks exchanged a glance with Annie before they sat in the armchairs to which Hurst gestured.
âImpressive, arenât they?â Hurst said, smiling. âIâve been collecting sixties vinyl since I was twelve years old. Itâs my great passion. Along with canals and their history, of course.â
âOf course,â said Banks, still overwhelmed by the immense collection. On any other occasion he would have been down on his hands and knees scanning the titles.
âAnd Iâll bet I can lay my hands on any one I want. I know where they all are. Kathy Kirby, Matt Monro, Vince Hill, Helen Shapiro, Joe Brown, Vicki Carr. Try me. Go on, try me.â
Christ, thought Banks, an anorak. Just what they needed. âMr. Hurst,â he said, âIâd be more than happy to test your system, and to explore your record collection, but do you think we could talk about the fire first? Two people died on those barges.â
Hurst looked disappointed, like a child denied a new toy, and went on tentatively, not sure if he still held his audience. âTheyâre not filed alphabetically, but by date of release, you see. Thatâs my secret.â
âMr. Hurst,â Annie echoed Banks. âPlease. Later. Weâve got some important questions for you.â
He looked at her, hurt and sulky, but seemed at last to grasp the situation. He ran his hand over his head. âYes, I know. Pardon me for jabbering on. Must be the shock. I always jabber when Iâm nervous. Iâm really sorry about what happened. How didâ¦?â
âWe donât know the cause of the fire yet,â said Banks, âbut weâre definitely treating it as suspicious.â Doubtful was Geoff Hamiltonâs word. He knew as well as Banks that the fire hadnât started on its own. âDo you know the area well?â he asked.
Hurst nodded. âI think of this as my stretch of the canal, as my responsibility.â
âIncluding the dead-end branch?â
âYes.â
âWhat can you tell me about the people who lived on the barges?â
Hurst lifted up his black-rimmed glasses and rubbed his right eye. âStrictly speaking, theyâre not barges, you know.â
âOh?â
âNo, theyâre narrow boats. Barges are wider and canât cruise on this canal.â
âI see,â said Banks. âBut Iâd still like to know what you can tell me about the squatters.â
âNot much, really. The girl was nice enough. Pale, thin young thing, didnât look well at all, but she had a sweet smile and she always said hello. Quite pretty, too. When I saw her, of course. Which wasnât often.â
That would be Tina, Banks thought, remembering the blistered body in the charred sleeping bag, the blackened arm into which she had injected her last fix. âAnd her boyfriend, Mark?â
âIs that his name? Always seemed a bit furtive to me. As if heâd been up to something, or was about to get up to something.â
In Banksâs experience, a lot of kids Markâs age and younger had that look about them. âWhat about the fellow on the other boat?â he asked.
âAh, the artist.â
Banks glanced at Annie, who raised her eyebrows. âHow do you know he was an artist?â
âShortly after he moved there, he installed a skylight and gave the exterior of his boat a lick of paint, and I thought maybe heâd actually rented or bought the boat and was intending to fix it up, so I paid him a courtesy visit.â
âWhat happened?â
âI didnât get beyond the door. He clearly didnât appreciate my coming to see him. Not very
Rhonda Gibson, Winnie Griggs, Rachelle McCalla, Shannon Farrington