face growing hot with embarrassment. This was not the way she wanted Mike Sorenson to see her. Annoyed with the picture she knew she was presenting, she yanked the stuffed dog out of her mouth and quickly got to her feet. âWe were ah . . . playing,â she said.
âI can see that. Who was winning, you or . . . Olive, isnât it?â
âYes, itâs Olive, and I was definitely winning.â Jane straightened her shoulders and dusted off her hands. âIt canât be seven oâclock yet. I just got home.â She glanced down at her watch and saw that it was indeed only six-thirty.
âMy last patient canceled. I didnât think youâd mind if I showed up a little early. I was prepared to sit on the porch and wait.â He moved past her into the parlor. âYouâve really done wonders with the place, butââ Jane watched as he made a telescope of his left hand and peered through it. âWho was your carpenter? You need to sue him!â
Olive sniffed Mikeâs shoes and trouser legs. She was probably smelling his cat.
âWhy would I want to sue the carpenter?â
âIt looks like the crooked little manâs houseâeverythingâs crooked, and the corners donât meet. I know a good lawyer.â He marched over to the bookshelves. âGood God, do you have the whole set?â
It was a moment before Jane could get far enough past the crooked little man to answer. âWhole set of what?â she asked coolly.
âDingle. It looks to me like you have the whole set, and theyâre in mint condition. I only have about sixty in my own library, but Iâve read every single one of his books, some more than once. Iâd kill for these. Did you pick them up at a garage sale or what? I never would have figured you to be the blood-and-guts type,â Mike said all in one breath.
âReally. What type books did you think I would read?â Oliveâs head jerked upright as she listened to her mistressâs frosty voice. She slunk closer to Mike, her tail between her legs.
âThat sappy romance stuff all women seem to read. These are guy books. You know, murder and mayhem, blood and guts. T. F. Dingle was one of the first authors I read just for myself back in school. The whole set! I canât believe it. I donât suppose you want to sell them, do you?â
âNo, I do not want to sell them.â
âOver the years I must have written a hundred letters in care of his publisher. He didnât respond to even one of them!â
âHe who?â
âT. F. Dingle. The author. I think he must be some kind of recluse. I heard he lives in a shack somewhere and pounds out his novels on an old Underwood. Can you imagine that? Now thereâs a guy whose head Iâd like to get into to know his thoughts. How about you?â
Her annoyance dissolved into smug satisfaction. âNo. I canât say thatâs one of my top priorities,â she said, enjoying that she finally had one up on him.
Mike stood back from the bookshelves and did that thing with his hand again. âThe whole thing is off a good half inch. How can you showcase T. F. Dingleâs books on a crooked bookshelf? Whoâs Stephen Rhodes and why does he get a shelf all to himself?â he asked, walking over to the shelves to inspect the books. Velocity of Money, The Money Trail. âAre they any good?â Little Women, Gone With the Wind, the Bobbsey Twins, Nancy Drew? âYou do have an interesting list here. Donât you get dizzy when you come in here?â
âShut up, Mike,â she said, surprising herself at her boldness. âI donât want to hear any more. For your information, Stephen Rhodes writes about money. I like reading about money. Heâs very good. No, you canât borrow them, buy your own. Authors depend on royalties and frown on their books being loaned to other people. He has a shelf to himself