to.â
He shut his eyes. âI agree to pay Hunter Davenportâs hospital bills. I agree to look after the man who killed my mother. I agree to live in hell the rest of my life.â
I wanted to say something, something consoling, or maybe heartening: Let it go, move on. But his face was so pinched with pain, I couldnât bear to look at him. I put the snapshots on his knee and let myself out.
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Click here for more books by this author
Read on for an excerpt from Sara Paretskyâs
latest V. I. Warshawski novel,
BODY WORK
Available in paperback from Signet Select.
PRAISE FOR
BODY WORK
âParetskyâs plotting is always ingenious. . . . The subplots and main story always come together in a seamless, satisfying way. . . . Body Work is as fine a work as ever in the Warshawski canon.â
â Los Angeles Times
âSuperb. . . . This strong outing shows why the tough, fiercely independent, dog-loving private detective continues to survive.â
âPublishers Weekly
âA new V. I. Warshawski novel is always a cause for celebration. . . . Paretskyâs the queen of the hard-boiled for good reasons. Her characters are ordinary people. Her dialogue is pitch-perfect.â
â Minneapolis Star Tribune
âParetsky plays out her trademark political and social themes not with rhetoric, but with a compelling story of lives shattered by pride, greed, and fear of the unknown.â
â Kirkus Reviews
â Body Work isnât just a satisfying whodunit; itâs a rich, well-written why-dunit, striking some surprising chords that will resonate long after you finish the final page.â
â St. Louis Post Dispatch
âTeriffic. . . . Paretsky is careful and conscientious, even her subplots are loaded with provocative ideas.â
â The New York Times Book Review
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Nadia Guaman died in my arms. Seconds after I left Club Gouge, I heard gunshots, screams, squealing tires, from the alley behind the building. I ran across the parking lot, slipping on gravel and ruts, and found Nadia crumpled on the dirty ice. Blood was flowing from her chest in a thick tide.
I ripped off my scarf and opened her coat. The wound was high in her chestâtoo high, I knew thatâbut I still made a pad of my scarf and pressed it against her. Keeping pressure on the pad, I struggled out of my coat and placed it under her. Left hand on chest, right hand underneath, pushing my coat against the exit wound. Without looking up or stopping the pressure, I shouted at the people surging around us to call 911, now, at once.
Nadiaâs eyes flickered open as I cradled her. The ghost of a smile flickered at the sides of her wide mouth. âAlley. Alley.â
â Shhh , Nadia, save your strength.â
I thought it was a good sign, a hopeful sign, that she spoke, and I kept pushing against her wound, singing snatches of a cradle song, trying to keep us both calm. When the paramedics arrived and pried my hands free from her wounds, they shook their heads. Sheâd been dead for several minutes already.
I started to shiver. It was only when the medics forced me to my feet that I felt the January wind cut into my bones. The medics brought me into the ambulance but left Nadia lying on the ground, waiting for a tech team to photograph her. The crew wrapped a blanket around me and gave me hot sweet coffee from their own thermos.
âYou did the best that could be done. No one could have done more.â The tech was short and muscular, with wiry red hair. âShe was bleeding out within minutes of being shot. Iâm guessing the bullet nicked a major vein, but the ME will tell us more. Was she a friend?â
I shook my head. Weâd barely spoken, and at that point, in fact, I only knew her first name.
A cop poked his head through the open ambulance door. âYou the gal that put her coat on the dead girl?â
Dead woman,