like the play theyâd flip gravel on the stage and watch the actors crawl about picking it up, case it might be diamonds. Actresses, now. They could get diamonds. But not like that.â
âI think thatâs what youâre trying with me.â
âDonât know what youâre talking about.â
âFlipping gravel on to the stage to see if Iâll crawl. Well, I wonât. Iâm going to make my own way, by acting. To the top. Iâve got it in me.â
âHow dâyer know, when youâve done nothing more than put on a long skirt and simper. Oh, la, Sir Jasper. How dâyer know youâre not a bugger when youâve never had a woman?â
âI do know. To me, itâs obvious. Iâm the only person who can know. In both cases.â
âCocky little bugger. All the answers.â
âI expect they said the same about you, sir.â
âHorse shit. They couldâve carved six of you out of me.â
âI think Iâve got about an inch to grow. Iâll be five-foot-four then.â
His height used to bother Andrew. Until he was twelve or so heâd invented exercises, such as hanging from the kitchen door lintel with his toes hooked into the handles of two of Mumâs flat irons, to stretch his joints. Then heâd noticed how boys a couple of years older suddenly shot up, and had waited for the magic moment. The moment had come with its odd magic, but not the extra inches. He still did exercises, teaching his body to be fit for the most exhausting roles, but nowadays told himself that his shortness didnât matter. Part of his power would lie in making the audience not see it. The line of his heroes ran from Garrick to Olivier. Six-foot players had to be hams.
Uncle Vole sneered. He had an A-one sneer, worth copying.
âKnow what the gents called me at the diggings? âWragges-to-richesâ. Meant it as an insult, but when I had this place built I half thought of having it carved on my gateposts. I built this house and no man else, and I did it spite of all the nobs and Holy Joes and snivelling politicians in the world. But you, Mr Andrew Wragge, youâll never carve that anywhere. Youâll be Wragges-and-Tatters, more like, poncing around in flea-pits till you drink yourself into a pauperâs grave.â
âAs a matter of fact my stage name is Adrian Waring.â
It was the first time he had ever told anyone the secret, since he had chosen the name three years ago, a sudden but fixed decision, made while Mum was out serving at the NAAFI and he was sitting at her dressing-table trying out mouths with the last of her pre-war lipstick. He was startled to hear his own lips speaking it aloud, and the effect on Uncle Vole was startling too. The old man poked his head forward like a darting terrier. A froth of spittle, purple with port, appeared at the corner of his mouth. He snarled. The sneer a moment ago had been calculated, intended to rile Andrew. The snarl was involuntary, real.
âClear out!â he said. âClear out and donât come back. Iâm through with you.â
Andrew pushed back his chair and stood looking down, while the old man huddled himself back round the stove, so close that a smell of scorching cloth prickled the air. Pity. It might have been useful to stay long enough to see him get properly drunk. He wouldnât have been an ordinary drunk either. There was something extra about him, something rareâpersonality, energy, rage at being so near the end. Andrew knew he mightnât be able to watch anything like that again.
But at the same time he felt triumphant. Heâd got exactly what he wanted. He could go home. It was the naming of his secret name that had done the trick.
He bowed politely.
âThank you for your hospitality, sir,â he said. âI will leave first thing tomorrow.â
TWO
The bugle call began in his nightmare and ended with him lying