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younger sons of his first marriage to be educated locally, in the most haphazard fashion, said that as he didn’t seem to be good for much else, he might as well get some solid book-learning into his head, and raised no objection to his taking up the scholarship. Later, he was to consent to his going on to Cambridge, where he was at present. For this, Faith had Raymond to thank. ‘He’s no damned good to anyone, and we don’t want him here, eating his head off,’ Raymond had said bluntly. Penhallow had seen the force of this argument. Clay was the only one of his sons whom he did not wish to keep at home. He said the sight of the boy’s pasty face and girlish ways turned his stomach.
    The boy’s colouring had from the outset been a source of mortification to him. The Penhallows, with their usual forthrightness, animadverted frequently on the incongruity of light hair in a Penhallow; and casual visitors were all too apt to comment artlessly on it, saying that it was strange to meet a fair member of that family, resenting these remarks as much as Clay, wondered why the Penhallow in him should be expected to predominate, and would say in an aggrieved tone that , the first Mrs Penhallow had been as dark as Penhallow himself it was not surprising that his elder sons should be all dark as was apparently desired.
    Faith used to stare at the portrait of Rachel Penhallow, which hung in the hall, trying to imagine what kind of a woman she had been, how she had managed to hold her own against Penhallow, or if she had not. She thought that she had: the painted face was strong, even arrogant, with hard challenging eyes, and a full underlie thrusting lip against the upper. Faith felt that she would have disliked Rachel, perhaps have been afraid of her; and sometimes, in one of her morbidly fanciful moods, she would take the notion into her head that the painted eyes mocked her. She would have liked to have thought that Rachel’s spirit brooded darkly over the house, for she was superstitious by inclination, but it was impossible to suppose that any other spirit than Penhallow’s reigned at Trevellin. So curious was she about her predecessor that during the early years of her marriage, she was forever trying to make those who had known Rachel intimately talk of her, even cultivating a friendship with Delia Ottery, who was Rachel’s younger sister, and who lived with her brother Phineas in a square grey house on the outskirts of Bodmin. But the inconsequent stories Delia told of Rachel did not help her to form a composite picture, because it was plain that Delia, admiring her sister, had yet had no real understanding of her. She knew what Rachel did, but not what Rachel was. She had an unspeculative mind, and was, besides, stupid and very shy. She had developed into the old maid of fiction: there could be nothing in common between her and Faith; and the friendship languished. It had lasted for long enough to provide the young Penhallows with food for ribaldry, Delia having always been regarded by them as the Family Eccentric.
    It would have been better for Faith could she but have found a friend, but this she was unable to do, being convinced that she could have nothing in common with her neighbours. They were country-bred, and she was never able to interest herself in country pursuits, always preferring to dwell upon the amenities of the life she had abandoned when she married Penhallow rather than to adapt herself to circumstances. Her relations with the matrons of the district never extended beyond acquaintanceship. She blamed the inelasticity of their minds; it was not given to her to understand that a craving for sympathy was no foundation for friendship.
    This craving had grown with the years; because of it she had taken Loveday Trewithian out of the kitchen, and had promoted her to be her personal maid, and, later, her confidante. Loveday was gentle, and patient. She would listen to Faith’s complainings, and agree that she