shopkeepers called you ‘sir’ or ‘madam’.
Oakwood Mews was a short cul-de-sac, a renovated terrace with only ten houses on each side. Black-leaded iron railings separated each small garden from the pavement. In summer, the street blossomed in a profusion of colours, with many houses sporting bright hanging and window boxes. It had even won a ‘prettiest street in Yorkshire’ prize several years ago, and the plaque to prove it was affixed to the wall of the first house. Now, as Banks and Richmond approached number nine, the street looked positively Victorian. Banks almost expected Tiny Tim to come running up to them and throw his crutches away.
Banks knocked on the Coopers’ door. It was made of light, panelled wood, and the shiny knocker was a highly polished brass lion’s head. A wealthy little street this, obviously, Banks thought, even if it was only a terrace block of small houses. They were brick built, pre-war, and had recently been restored to perfection.
Christine Cooper answered the door in her dressing gown and invited them in. Unlike the more cosy, feminine elegance of number eleven, the Cooper place was almost entirely modern in decor: assemble-it-yourself Scandinavian furniture and off-white walls. The kitchen, into which she led them, boasted plenty of shelf- and surface-space and every gadget under the sun, from microwave to electric tin opener.
‘Coffee?’
Banks and Richmond both nodded and sat down at the large pine breakfast table. It had been set close to a corner to save space, and someone had fixed bench seating to the two adjacent walls. Both Banks and Richmond sat on the bench with their backs to the wall. Banks had no trouble fitting himself in, as he was only a little taller than regulation 172 centimetres; but Richmond had to shift about to accommodate his long legs.
Mrs Cooper faced them from a matching chair across the table. The electric coffee-maker was already gurgling away, and they had to wait only a few moments for their drinks.
‘I’m afraid Veronica isn’t up, yet,’ Mrs Cooper said ‘Your doctor gave her a sleeping pill and she was out like a light as soon as we got her into bed. I explained everything to Charles. He’s been very understanding.’
‘Where is your husband?’ Banks asked.
‘At work.’
‘What time did he get home last night?’
‘It must have been after eleven. We sat up and talked about . . . you know . . . for a while, then we went to bed about midnight.’
‘He certainly works long hours.’
Mrs Cooper sighed. ‘Yes, especially at this time of year. You see, he runs a chain of children’s shops in North Yorkshire, and he’s constantly being called from one crisis to another. One place runs out of whatever new doll all the kids want this year and another out of jigsaw puzzles. I’m sure you can imagine the problems.’
‘Where was he yesterday evening?’
Mrs Cooper seemed surprised at the question, but she answered after only a slight hesitation. ‘Barnard Castle. Apparently the manager of the shop there reported some stock discrepancies.’
There was probably nothing in it, Banks thought, but Charles Cooper’s alibi should be easy enough to check.
‘Maybe you can give us a bit more background on Caroline Hartley while we’re waiting for Mrs Shildon,’ he said.
Richmond took out his notebook and settled back in the corner seat.
Mrs Cooper rubbed her chin. ‘I don’t know if I can tell you much about Caroline, really. I knew her, but I didn’t feel I really knew her, if you know what I mean. It was all on the surface. She was a real sparkler, I’ll say that for her. Always full of beans. Always a smile and a hello for everyone. Talented, too, from what I could gather.’
‘Talented? How?’
‘She was an actress. Oh, just amateur like, but if you ask me, she’d got what it takes. She could take anybody off. You should have seen her impression of Maggie Thatcher. Talk about laugh!’
‘Was this theatrical work
Rhonda Gibson, Winnie Griggs, Rachelle McCalla, Shannon Farrington