Paris, My Sweet Read Online Free PDF Page B

pedaled through the working-class neighborhood on my way to La Flute Gana, a boulangerie I had read about, I had a happy jolt, suddenly remembering one of my favorite all-time French movies: The Triplets of Belleville . The image of those three crazy animated ladies, snapping their fingers, swinging their derrières , and singing on stage evoked such unadulterated glee, which was matched once I arrived at the boulangerie and bit into my long-anticipated croissant: a gazillion little layers of fine, buttery pastry dough, coiled and baked together in soft-crunchy perfection.
    Every weekend, my sweet explorations continued this way. On the chichi shopping stretch of rue Saint-Honoré, I indulged in Jean-Paul Hévin’s Choco Passion, a rich nutty and fruity cake with a flaky praline base, dark chocolate ganache, and chocolate mousse whipped with tart passion fruit. In the Marais, a neighborhood alternatively known for its Jewish roots, gay pride, and fantastic shopping, I sampled Pain de Sucre’s juicy and herbaceous rhubarb and rosemary tart. I discovered that the wonderful 248-year-old, lost-in-time candy and chocolate shop in the ninth arrondissement, À la Mère de Famille, carried dried pineapple rings, a treat I had been obsessed with for three decades (don’t ask; I think it’s a texture thing). And I started developing a new weakness for Haribo gummies, available at any old crummy supermarket.
    As I cruised by the Jardin du Luxembourg, just beginning to burst in an array of spring greens, with a belly full of matcha-flavored ganache from the nearby Japanese pâtisserie Sadaharu Aoki, I rationalized that pastry hunting was a very good way for me to get to know my new hometown. But as I continued Vélib’ing around town and eating up Parisian sweets, no one could have been more surprised than me to discover that cupcakes were now storming the Bastille.

    I think it’s safe to say that by 2007 or 2008, cupcakes trumped apple pie as the all-American iconic sweet. And I witnessed their rise to sugary stardom firsthand in New York.
    When I moved to the city in 2001, the trend was just taking off. At the time, I was also on the brink. I was almost thirty years old, excited and hopeful for all that might be. After spending my twenties in San Francisco, much of it in a seven-year relationship that ultimately wasn’t “the one,” and in an advertising career in which I always felt the desire to write for a glossy magazine tugging at me, I had moved back east to pursue my dreams. I had proven to myself that I could be an advertising copywriter. Now I wanted to be a New York writer, who had a byline in the Times and lunched at Union Square Café. The world was my proverbial oyster. But, since I don’t like briny delicacies, I considered the world my cupcake instead: sweet and inviting, familiar yet new, indulgent but only modestly so. And just when I thought I had tasted every possibility—yellow cake with chocolate frosting, chocolate with vanilla buttercream, peanut butter cup—a new cupcakery would open, and there would be a whole new inspired menu to bite into.
    As I blazed my personal cupcake trail, Carrie Bradshaw and Miranda Hobbes sent the whole world into a cupcake tizzy. Once those two sat chomping into their pink frosted cupcakes, dishing on Aidan, in the third season of Sex and the City , the petits gâteaux became inescapable. And Magnolia Bakery, the location of their sweet moment, went from modestly successful to insanely popular to polarizing and reviled.
    Magnolia was started in July of 1996 by two friends, Allysa Torey and Jennifer Appel. On a quiet corner in the West Village, they launched a genius concept: old-fashioned baked goods—perfectly frosted three-layer cakes, freshly baked pies dusted with cinnamon, fudgy brownies, and tart lemon squares—served up in an adorable, wholesome space that could have been Betty Crocker’s own