one of Greg's patient lectures. "I swear to you, two drinks at dinner and no more, ever again."
"Wow," he said softly, and shook his head slowly. "You're all right, though?"
"Sure." Her smile was cock-eyed. "As well as can be expected, given the day." She pulled open the center drawer and took out a pencil, tapped it once on her knee and rolled it between her fingers. "I'll tell you, Greg, I don't mind admitting this is driving me nuts. I mean, the whole tiling is making me absolutely paranoid." She caught herself, and waved away the question that came to Greg's expression. "I just don't understand why Constable has to wait. Why can't we have the meeting now and get it over with, huh?"
"Because he thought you'd shove one of your kids into one of your sculptures, that's why. Like Vincent Price in The House of Wax, and all that."
Her throat constricted. "You think they turned us down?"
He shrugged. "I don't know, Pat. I honestly don't know."
She chewed absently on the eraser. "I think he hates me. Ford, that is. Constable doesn't care one way or the other."
"No," Greg said, stretching his legs and crossing them at the ankles. His voice was naturally low, a rough-edged complement to her own deep timbre. "Ac tually, if the truth be known, you scare him."
"Me?"
"Now, Patrice," he said, cautioning against lying to someone who knew her better. "Come on, come on."
"No, I can't buy it, Greg. What he's afraid of is the expense. Setting us up in a separate department will mean hiring at least two more full-time people, giving you and me at least promotions, and —"
"All right," he conceded, "that's part of it too. But you know damned well that isn't all of it, not by a long shot."
She looked at him thoughtfully. He'd joined the faculty only four years ago, a multi-degreed artist who'd grown weary of the games he'd had to play with the larger galleries. It wasn't sour grapes because of no talent; he just didn't have the stomach for the competi tion he had to face. At first, Pat had thought him a quitter and had been scornful for retreating into teach ing; then she realized there was something else, some thing that had unnerved him and made him leery of going on. She still didn't know what it was, but she knew he would tell her sooner or later. It was in the way he would look at her when he thought she wasn't watch ing; in the way ... in his way of building a friendship between them so he could begin the unburdening.
She was patient. She could wait.
Meanwhile, a second look showed her hints of exhaustion tightening the folds around his eyes. When she lifted an eyebrow in silent query, he shrugged and drained his cup. "No sleep."
"You were drunk," she accused lightly.
"I was passed out," he admitted with a rueful laugh. "I don't know how the hell I got home, believe me, and I kept waking up every hour or two. The damned tree outside my window kept hitting the pane. I almost went out and cut the thing down."
"That would be just like you," she said. "Get straight to the root of the problem."
He glared. "That's terrible. You oughta be shot." Then he blew her a halfhearted kiss and left, wasn't ten feet down the corridor before a pair of young women fell in beside him, laughing instantly at something he said, gesturing as if they had a mobile canvas retreating before them.
Pat watched until the doorframe cut them off. And wondered how many of those girls Greg had taken into his bed.
"Oh, nasty," she scolded. Her right hand brushed over an end of the collar tie, tugged at it lightly before she closed her eyes tightly, snapped them open. A groan at feigned aches in the small of her back and she stood, stepping around the desk to fetch her books from their shelf. A finger to her chin, scratching. Thinking about Greg, the younger women who constantly sur rounded him . . .
. . .
Larry Collins, Dominique Lapierre