kitchen, wearing an old plaid bathrobe. He winked at Stallings, served himself some pie along with a bloody mary, nodded encouragingly, and sat down at the table to eat, drink and listen.
âAll ears?â Stallings said, looking first at Mott, who nodded again, and then at Lydia Mott, noticing not for the first time that she wasnât nearly as pretty as her older sister. For one thing her face was so mobile and her emotions so transparent that friends and utter strangers liked to tell her their most godawful secrets just to watch the light show her face put on as sympathy, consternation, amazement, concern, grief and joy blazed across it. Stallings often thought his younger daughterâs pathologically forgiving nature made her the perfect mate for a criminal lawyer.
When he was finished with his taleâa slightly longer version than he had spun Neal Hinelineâthe awed Lydia Mott whispered, âOh, my God, Pappy!â She then turned to her husband and said, âWhat dâyou think, sugar?â
Sugar was short and chunky and thirty-six years old with a curiously unfinished look. Just a few more blows from the DNA chisel and Howard Mott might have looked distinguished, if not exactly handsome. Instead he looked as if he had been put together by someone who hadnât bothered to read the directions.
His intimidating half-finished look was complemented by a magnificent mind, not much hair and countersunk black eyes that some thought could peep into souls. He used a silken bass voice to thunder, cajole and produce a rumbling confidential whisper that an often mesmerized jury could easily hear from thirty feet away. He won most of his cases.
âWhat do I think?â Mott said. âI think the shitâs deep and rising.â
âThatâs understood,â Stallings said.
âItâs also illegal, despite what my brother-in-law, the beloved simpleton, says. I can think of a dozen laws youâd break. But whatâs most important is this: nobody ever pays a bagman half a million to deliver five million unless the dealâs dirty.â
âAnother given,â Stallings said.
âBut youâre still going ahead and doing it, arenât you?â Lydia Mott said.
Stallings nodded and then said, âBut Iâm also going to need some help.â
âHandholders,â Mott said.
âYou know any?â
Mott put the final bite of pie into his mouth, chewed thoughtfully, put down his fork and rose. âCome on upstairs.â
Stallings followed his son-in-law up the stairs and into a room that held a very old rolltop desk, a couch for Saturday afternoon naps, and an elaborate stereo system to play the operas that were Mottâs passion. He waved Stallings to a chair, sat down at the desk, and began rummaging through its drawers and pigeonholes until he found the business card he wanted.
Mott read the card, tapped it against a thumbnail, read it again, looked at Stallings for a long moment, turned to the desk, picked up a ballpoint pen and wrote two names on the back of the card.
âThese two guys are probably about what you need,â Mott said as he wrote. âI hear from the usual unimpeachable sources that theyâre very good, fairly honest and awfully expensive. You willing to pay?â
âI expect to,â Stallings said.
Mott again turned to his father-in-law. âThe last I heard they were out on the Rim someplace. Hong Kong. Singapore. Bangkok. Malacca. They move around. But this is their stateside contact. Sort of their agent.â He handed the card to Stallings who noticed it was engraved and that it read:
Â
Â
MAURICE OVERBY
House-sitter to the Stars
The only thing on the card was a phone number with a 213 area code that Stallings knew meant Los Angeles. He looked up at Mott. âHowâs he pronounce it? Maurice or Morris?â
âClose friends and slight acquaintances usually call him Otherguy. Now