want to wish. And we can kiss goodby.â
âWe didnât kiss hello,â said Cynthia, who bent over, and this time was kissed as much as kisser.
Weeks later, she said, âI was so surprised.â Which surprised him, for people think the curve of their feeling is apparent to all whom they donât wish to deceive. Still, he was kissing in part for her sake (for therapy, for common humanity). So he could still feel himself Man of Principle, Man of Years, Doctor to Confused Patient, Professor to Easily Enchanted Student.
In short, the Decorticate Dipsologist. Courting.
two
In the parlor, heâd managed with talk. âIâm too old for such love. You know I like you enormously, youâre a terrific pull on me.â Any twentieth-century western parent, doctor, teacher, knew the importance of self-confidence. âBut a man gets on, he relies more on what heâs done himself. Whatever love is, itâs not an accomplishment.â
âThere are plenty of people incapable of it.â
âNot the same. I donât think the love system functions usefully after thirty. Real love comes at your age. I mean the early, parent-child structure of love is matched in the late teens or early twenties by the great transference. By the time youâre my age, itâs but a combination of lust and nostalgia. Thereâs no real room for new roots.â
âBertrand Russell says he only found true passion when he was ninety.â
âWas he honest?â
âIf you can even lie like that at ninety, it might mean it was true at seventy.â
âRussell remained adolescent. Didnât he lose his mother very early? He had the schizoidâs passion for abstraction. His late amorousness was neurotic. He was a schizoid adolescent for seventy-five years.â
Sheâd wanted him to hear a record and went off to buy it. He went off too, to buy wine, and then, in the Square, a bouquet of yellow jonquils, and, for her remembrance, a large book of Vermeers which, at home again, waiting for her, he inscribed âTo my most charmingly impatient patient, in this loony summer.â
The minutes of separation deepened his sense of the uniqueness of what was happening. This primary human illusion. As if human beings were as empty-headed as goldfish, swimming round the commonplace, astonished at perpetual novelty. Columbuses of the Bathtub. In a way, it really was that way. The neural complex was so staggering, a statistical case could be made for the absolute uniqueness of every human feeling and event. It was not trueâas the Harvard poet Eliot saidâthat humans were most alike in their moments of passion. Everything was more or less like something else; but just considering the fantastic number of synapses involved, passionate moments corresponded to the greatest acts of intellection. Words might be displaced by grunts, but this did not mean the simplification of sensitivity. How much of his own system right now was alerted to Cynthiaâs absence. Her absence was a tremendous presence in him. She was off somewhere in his town. The dakkadakka of the MTA escalator, the beaded chests, the saris, the billboards, the witch hat of Christâs (where he and Sarah were married about the time Cynthia looked more fish than woman), fifty thousand small gleams, noises. There, now, but here, part of his milieu interieur .
Home, the Graves in the freezer, the flowers in a blue Wedgewood vase heâd bought in London for Sarahâs thirtieth birthday, the Vermeer on the arm of his chair. Absence soaked the room. Weight. Waiting. Had something happened to her? Lovesick, dizzy, maybe she hadnât seen an open manhole, a car. No one would notify him. Or, seeing him in his house, had she come to (out of?) her senses? Something said or not said, a gesture flicking the illusion, so that she suddenly saw the grotesqueness of their relationship and was now working up the phone call which
Michelle Fox, Kristen Strassel