me like this when she knew that I had a rendezvous with Joe. A hug with an equal mix of love and reproach thatâs hard to explain: itâs like the hug of a mother whoâs just discovered that her daughter has given her virginity to the neighborâs son. Lying on the bed, I watched Eva close the door of the hotel room on me. I donât know why at that moment an idea powerfully overtook meâthat betrayal is a defense against the absence of love. Joe also came to Mombasa to meet me at the Gardens Hotel. After a year, I decided to stop seeing him. When he asked me why, I didnât know what to answer. I searched for just one word to tell him and I couldnât find it. Iâve grown tired. Iâm tired of traveling. Iâm tired of the repetition, of the heaviness of a sick, disabled relationship that canât develop.
â The animal in you is tired of you â¦â Eva says when I end my relationship with Joe, poetic as usual, sometimes sheâs even musical. I consider how Eva could become a famous poet, though she prefers to be an environmental activist working with endangered animals and sick trees and forests.
Sometimes I leave my fantasies and remember specific moments in my life, like when I first discovered my body with Olga. Weâd leave Asmahanâs voice playing and Olga would start kissing me on my mouth and breasts. I try hard to recall the moments of happiness that we lived togetherâOlga and Iâwithout feeling I was doing something wrong. But that one night with Chris I canât get my fantasies working. Itâs as though Iâm afflicted by a loss of memory or my fantasies can no longer help me tune into Georges or Joeâs features. The faces of everyone with whom Iâve shared pleasure suddenly vanish, as if theyâve all passed through my life quickly, in one stroke of forgetfulness. As if they never were. I try to recall their features but their faces are nebulous and unclear, their eyes all distorted and staring at me standing right in front of them. An invisible force is pushing them back. I try to recall Olgaâs face and I see it vividly, as if it were right there in front of me. I turn my gaze away, toward my suitcase, and start recounting the previous nightâs dream to Chris. I dream Iâm a tree, a very tall tree, swaying in the breeze. I tell him that in the dream Iâm a tree. Heâs far away from me and canât touch me. And Iâm feeling a strange kind of pleasure, as though the wind itself were making love to me. I know that I reach orgasm but I donât know how. Itâs enough to hear the treeâs leaves rustle in the gentle breeze to feel an excitement that no man can arouse in me.
Itâs not Asmahanâs voice alone that transports me to this memory that I love and that helps me bear my life in Kenya. There are also the novels that Olga sends me and the vivid colors of the sky reflected in sea surrounding my houseâbright colors, more vivid than the skyâs colors in Beirut and more brilliant.
My dreams change and I forget most of them, except those that repeat themselves and invade me, year after year. There are many trees and plants and mountains in them that Iâm always able to fly above easily. When I try to fall sleep I recall those dreams. As if I choose my dreams to push away the nightmare thatâs lived with me for so many years. My dream of friendly trees is perhaps some kind of recompense. After my brother Bahaââs death, I so often see burning trees with the disfigured faces of featureless people hovering above them. I begin to fear trees. I no longer dream that Iâm walking above them, as if walking on the ground. I no longer dream that Iâm flying above them, never landing. Trees themselves become pure terror.
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Sometimes I wake up afraid, then my headache worsens and I donât know if itâs the pain or my nightmares that have awoken me.