Men. Scholars are divided as to whether the Folio-only passages, which include Othello’s “Pontic sea” speech and Desdemona’s willow song, are theatrically purposeful additions or theatrically pragmatic cuts. We respect the integrity of the Folio text, but in correcting its manifest errors—which are many, largely due to the presence of “Compositor E,” the apprentice who was the poorest of the Folio’s typesetters—we have been greatly helped by the existence of the Quarto.
THE TRAGEDY OF
OTHELLO,
THE MOOR OF VENICE
LIST OF PARTS
OTHELLO , the Moor (a general in the military service of Venice)
BRABANTIO (a senator) father to Desdemona
CASSIO , an honourable lieutenant
IAGO , a villain (Othello’s flagbearer)
RODORIGO , a gulled gentleman
DUKE of Venice
SENATORS
MONTANO , Governor of Cyprus
LODOVICO , noble Venetian (kinsmen of Brabantio)
GRATIANO , noble Venetian (kinsmen of Brabantio)
SAILORS
CLOWN (servant to Othello)
DESDEMONA (daughter of Brabantio) wife to Othello
EMILIA , wife to Iago
BIANCA , a courtesan
(Officers, Messenger, Herald, Musicians and Attendants)
Act 3 Scene 1
running scene 7
Location: Cyprus (governor’s residence/citadel)
Enter Cassio, Musicians , Clown
CASSIO Masters, play here: I will content your pains 1 :
Something that’s brief, and bid ‘Good morrow,
Music
general.’
CLOWN Why masters, have your instruments been in
Naples 4 , that they speak i’th’nose thus?
MUSICIAN How 5 , sir? How?
CLOWN Are these, I pray you, wind instruments?
MUSICIAN Ay, marry, are they, sir.
CLOWN O, thereby hangs a tail 8 .
MUSICIAN Whereby hangs a tale, sir?
CLOWN Marry, sir, by many a wind instrument 10 that I know.
But, masters, here’s money for you: and the
Gives money
general so likes your music that he desires you, for love’s 12
sake, to make no more noise 13 with it.
MUSICIAN Well, sir, we will not.
CLOWN If you have any music that may not be heard, to’t
again: but, as they say, to hear music the general does not
greatly care.
MUSICIAN We have none such, sir.
CLOWN Then put up 19 your pipes in your bag, for I’ll away: go,
vanish into air, away!
Exeunt Musicians
CASSIO Dost thou hear me, mine honest friend?
CLOWN No, I hear not your honest friend: I hear you.
CASSIO Prithee keep up thy quillets 23 . There’s a
Gives money
poor piece of gold for thee: if the gentlewoman 24 that attends
the general be stirring 25 , tell her there’s one Cassio entreats
her a little favour of speech: wilt thou do this?
CLOWN She is stirring, sir: if she will stir hither, I shall seem 27
to notify unto her.
Exit Clown
Enter Iago
CASSIO In happy time 29 , Iago.
IAGO You have not been a-bed, then?
CASSIO Why, no: the day had broke
Before we parted. I have made bold, Iago,
To send in to your wife: my suit to her
Is that she will to virtuous Desdemona
Procure me some access.
IAGO I’ll send her to you presently 36 ,
And I’ll devise a mean 37 to draw the Moor
Out of the way, that your converse and business
May be more free.
Exit
CASSIO I humbly thank you for’t.— I never knew
A Florentine 41 more kind and honest.
Enter Emilia
EMILIA Good morrow, good Lieutenant: I am sorry
For your displeasure 43 , but all will sure be well.
The general and his wife are talking of it,
And she speaks for you stoutly: the Moor replies
That he you hurt is of great fame 46 in Cyprus
And great affinity 47 , and that in wholesome wisdom
He might not but refuse you: but he protests he loves you
And needs no other suitor 49 but his likings
To bring you in again.
CASSIO Yet, I beseech