airy and compact apartment, glad that her attitude had changed since their last meeting. Hostility was a lot easier to handle than fake fragility.
Hardwood flooring complemented the plain white walls of the living room, but apart from a stack of boxes on the floor there wasn’t a single piece of furniture in the whole room. He heard the sound of running water, then looked across to see her walk out of the galley kitchen, which was also bare except for another large box resting on the countertop.
She took a deep swallow of the water, then lifted her tank top to wipe her face. He ignored the throb of heat at the quick glimpse of a white cotton sports bra, and the smooth translucent skin stretched taut across her narrow waist.
Strike one to him: there was no visible sign of a baby there. Her belly was as flat as he remembered it. Plus what sort of woman went jogging when they were pregnant? His spirits lifted a little.
‘What could we possibly have to talk about?’ she said as her tank dropped back into place covering up that incriminatingly flat belly. ‘I think we covered just about everything the last time we met, don’t you?’
Despite being hacked off by her snippy tone, and the instant effect she had on his libido, he held off launching into his newest suspicion about her condition. One of them was going to have to be a grown-up about this. And it looked as if that person would have to be him.
‘Where’s your furniture?’ he asked, keeping his tone admirably civil.
‘I’m just about to move out, not that it’s any of your business,’ she said in a sing-song voice that was obviously meant to be a dig. She straightened away from the door frame and rested a palm on her hip, the stance doing that weird optical illusion thing to her breasts again. ‘And by the way, how did you get my address?’
‘You can lose the hostility,’ he said, losing his own civility as the heat resolutely refused to die. ‘If you didn’t want to have anything to do with me, you wouldn’t have contacted me last week.’
* * *
Tess glared at the man standing in the centre of her empty living room—his imposing build filling up most of the available space and taking up all the oxygen too. She’d hardly pushed herself this morning, settling on a very leisurely four-mile run, so why the heck couldn’t she breathe?
‘That was then.’ She glared harder. ‘This is now, and I don’t want to have anything to do with you any more.’
‘Tough,’ he countered, actually having the gall to sound self-righteous. ‘Because I want to talk to you.’
‘Oh, really?’ She placed a finger on her chin. ‘I wonder why? Have you come to accuse me of lying again?’
The crease on his brow became a fissure. ‘I never accused you of anything.’ The statement was clear, precise and so smug it made her want to slap him. Men like him never even thought to apologise for their actions.
‘Terrific, well, I’m glad we got that settled.’ She waved her hand dismissively. ‘You can go now.’ She walked back into the kitchenette, and concentrated on keeping her glare in place.
She heard him step into the kitchenette behind her and turned, more than a little disconcerted to find him within a foot of her. She plopped the glass on the counter, the narrow space way too vivid a reminder of the close confines of a certain utility cupboard.
‘If you insist on staying, why don’t you tell me what you want to talk about?’ she asked, annoyed that he was doing that oxygen-sucking thing again and all she could smell was the piney scent of his soap, which had to be the reason for her breathing difficulties. ‘That way we can get it over with and never have to lay eyes on each other again.’
Which was what she wanted. Fervently.
‘ If you were really pregnant with my child, what I want to talk about would be pretty damn obvious.’ His gaze raked over her—and her sweaty running gear became a cast-iron corset, pressing into her
Charlaine Harris, Patricia Briggs, Jim Butcher, Karen Chance, P. N. Elrod, Rachel Caine, Faith Hunter, Caitlin Kittredge, Jenna Maclane, Jennifer van Dyck, Christian Rummel, Gayle Hendrix, Dina Pearlman, Marc Vietor, Therese Plummer, Karen Chapman