Banks were constantly under attack. The only faint ray of hope in what was otherwise a prospect of unrelieved gloom and horror was that students and working men living in the Triangle had joined together to set up an organization of vigilantes, headed by a bishop. We decided to give Afragola-Casoria, Caivano-Fratta and Acerra a miss.
In view of all this general unpleasantness, it was therefore with a certain trepidation that we set off, as we did each night, to walk back to our macabre bedroom in the Pensione Canada on the waterfront facing Porto Sannazzaro, through streets that were nowrapidly emptying of people, but not traffic, which continued to circulate until the early hours of the morning unabated. This room was twelve feet high, twelve feet square, lit by a very old circular fluorescent tube that when it was warming up resembled a crimson worm and was furnished with a bidet hidden by a tall bamboo screen, like a bidet in a jungle. It was also furnished, which was unusual for a bedroom, with an upright piano belonging to the brother of the proprietor. The only picture on the walls was a colour photograph of the Mobilificio Petti, a furniture warehouse at Nocera Sopra Camerelle (SA), with the telephone numbers – there were two lines, 723730 and 723751–printed underneath it, in case one wanted to order up more furniture during one’s stay.
Fortunately there were other things besides shootings, of which one soon tires, going on in Piazza Sannazzaro. Night after night we had sat in it watching a succession of events unfold themselves, always with the same protagonists, until we had come to realize that what we were looking at was an unvarying ritual. Even the order in which they took place and the participants appeared and disappeared was governed by immutable laws. It was only on this particular evening, when the Camorra had demonstrated its existence, coming up from the depths and showing a small part of itself, like some immense fish of which only the smallest part breaks the surface, that there had been any interruption.
First to open up, and the only one who remained on site throughout the entire evening, was a young man who sold raw tripe and pigs’ trotters from a shiny, brand new, stainless steel stall with the owner’s name and what he dealt in painted around the top of it – TRIPPE OPERE E’O MUSSO – in black letters, illuminated on a pink background.
The grey pieces of tripe were displayed on a sort of miniaturestainless steel staircase which was decorated with vine leaves and lemons stuck on metal spikes, with a centrepiece which consisted of what looked like an urn made entirely of rolled tripe, with the pinkish pigs’ trotters laid out attractively at the foot of it. Down this staircase tumbled an endless cascade of water, making the whole thing a sort of hanging garden of tripe and pigs’ trotters; it was surprising how attractive looking it was, considering how unpromising were the basic materials.
Next to appear on the scene, after E’O MUSSO , was a very poor, very fragile, faintly genteel old lady, who looked as if a puff of wind might whisk her away to eternity. She moved among the tables never asking for money but nevertheless receiving it, for the Neapolitans recognize and respect true poverty. A surprising amount of what she received was in the form of 500 and even 1000 lire notes. This old lady rarely, if ever, made the circuit of all the tables. When she had collected what she presumably considered enough for her immediate needs, after taking into account whatever payments she might have to make to the Camorra in a way of dovuti , dues, or what she considered the market could stand each night without spoiling it, she would give up and totter off round the corner and up the hill called the Salita Piedigrotta which leads to the Mergellina railway station and the church of Santa Maria Piedigrotta. There, by day, during opening hours, she used to sit outside the main door, at the
Marc Nager, Clint Nelsen, Franck Nouyrigat