Ode To A Banker Read Online Free PDF Page B

sharp-edged handle rivets dinging my skull.

    'Bring your manuscripts,' replied Euschemon. He paused. 'In case you should think of writing something specially, let me give you a few tips. Even our very best works do not exceed the Greek scroll length - that's thirty-five feet, but only applies to works of high literarymerit. As a rule of thumb, it's a book of Thucydides, two of Homer, or a play of fifteen hundred lines. Not many moderns rate full length. Twenty feet or even half that is a good average for a popular author.' He let me work out that my work might not be popular. 'So short is good - long could be penalised. And be practical in your setting-out if you want to be taken seriously. A scroll will have twenty-five to forty-five lines to a column, and eighteen to twenty-five letters to a line. Do try to accommodate our scribes. I'm sure you want to seem professional.'

    'Oh yes,' I gulped.

    'When you're calculating, don't forget to count the modern aids to the reader.'

    'What?'

    'Punctuation, spaces after words, line-end marks.'

    These, presumably had taken the place of outmoded concepts like intensity of feeling, wit, and stylistic elegance.

V

    FUSCHEMON HAD fallen into the old trap. He thought he had bamboozled me. Informers by repute are stupid; everyone knows that. Most of them really are - meticulous at not seeing and not hearing any valuable information, then misinterpreting what they do take in. But some of us know how to bluff.

    I refrained, therefore, from rushing straight to the Chrysippus scriptorium, piteously eager to hand over my most inspired creations for a laughable fee. Not even if it came with a contractual right to buy back copies at whatever puny discount their normal cringing hacks accepted; not even if they offered me gold- leaf palmettes on their sales projection chart. Since I was an informer, I decided to check up on them. Since I had no clients (as usual), I was equipped with free time to do it. I knew the right contacts too.

    My father was an auctioneer. Sometimes he dabbled in the rare scrolls market, though he was a fine art and furniture man at heart; he regarded second-hand literature as the low end of his trade. I was rarely on speaking terms with Pa. He ran off when I was seven, though he now maintained that he did give my mother financial support for bringing up the rowdy children he had sired. He may have had good reasons for leaving - better reasons than the allure of a certain redhead, anyway - but I still felt that since I grew up lacking a paternal presence, I could exist without the inconvenience of him now.

    He enjoyed annoying me, so I wondered why Pa had not shown his face for my reading last night. He would not be deterred by the fact that I had failed to invite him. Once, Helena would have done so, for she had been on genial terms with the old rogue - but that was before he recommended Gloccus and Cotta, the bathhouse contractors who had made our new home uninhabitable. As their trestles and dust, and their lies and contractual wriggling, impelled her to the frustrated rage of any endlessly disappointed customer, Helena's opinion of my father had moved closer to my own; the only risk now was that she might decide that I took after him. That could finish us.

    My father owned two properties that I knew of, although he was both well-off and secretive so there were probably more. His warehouse-cum-office was at the Saepta Julia, the enclosure inhabited by all sorts of double-dealing jewellers and hangdog antique frauds. It might be too early to catch him there. Auctions were held out on site, in private homes or sometimes in the Porticoes, but I had spotted no adverts for sales by Didius Geminus chalked in the Forum recently. That left his house, a tall edifice with a fine roof terrace and a damp basement down on the river frontage of the Aventine. It was the nearest place to look for him, though I always felt uneasy going there because of the redhead I mentioned. I