beneath the steering wheel.
‘No discussion about it?’
‘Nope.’
Rose sighed as she sat down heavily beside him, pulled the seat belt down and clicked it home. ‘Yeah, I really like the way this partnership thing works. You decide stuff, and I get to nod dumbly.’
Julian winced guiltily inside. Rose was a one-woman production studio; deft with a camera, a solid sound technician, a shrewd editor - he’d be buggered without her. She was the talent behind the films they had put together over the last few years; Julian was merely the vaguely recognisable TV face fronting their small company, Soup Kitchen Studios.
Business was ticking over, but it wasn’t great. They had a window of time to make their production company work. That window was his rapidly fading C-list celebrity status. The general TV-viewing public still recognised his face; some might even still remember his name . . .
The Cooke bloke . . .
Julian had reached what now seemed to have been his showbiz peak five years ago as a regular host on a late-slot, anarchical, current affairs quiz show. The panellists were the usual mixed bag of stand-up comedians, red-top columnists and publicity-hungry MPs. Julian Cooke had, arguably, been a household name for at least a couple of seasons. Prior to that, he had spent about fifteen years working in the BBC as a production assistant, then as a senior researcher. He couldn’t remember exactly how the transition from research-monkey to front-of-camera personality had occurred, but it had happened surprisingly quickly after he’d put together a tongue-in-cheek show reel in his spare time.
The quiz show never really took off, but it led to some work as a presenter on various off-the-wall documentaries. Round about the same time he’d stumbled across Rose - a media graduate knocking out amazingly satirical, biting, short pieces and uploading them onto YouTube. When he first saw her work she was already an established name in the Tube community, routinely getting hundred-thousand-plus views for each of her five-minute films.
For Julian, Soup Kitchen Studios was the right next step; an agile little studio with plenty of technical know-how and a recognisable figurehead and presenter, capable of knocking out TV content quickly and cheaply.
In rapid succession they made half a dozen fly-on-the-walls following around a succession of characters: a British National Party parliamentary candidate; a Muslim cleric recently returned from Guantanamo; a veteran soldier from Iraq attempting to rebuild his life (and his face); an ex-soap starlet trying to launch her pop career; the ‘ASBO King’, an objectionable hooded thug who enjoyed boasting and blustering about his criminal record; Dennis the Dentist, a charming old man who was serving an indefinite sentence for the serial murders of a dozen of his patients; and Tone, a guitar band from Reading on the cusp of success, but never quite managing to make it.
It was a great series: Uncommon People.
Since then he and Rose had failed to capitalise on the success, picking up shitty stocking-filler commissions like this one; a seedy poke at American trailer-trash and the weird crap they reckon they’ve seen. Rose already had a dozen digital tapes full of interviews they’d had with an auto mechanic, a waitress, several bored college kids and a couple of old guys in the woods who made slow-burn charcoal - swearing blind they’d picnicked with Sasquatch, made love to Jim Morrison, or seen the ghost of Elvis wandering the hills and woods around Blue Valley.
Julian sighed. It would be nice to make some serious TV again.
‘Yeah, we’re dropping that bloody project,’ he said, starting up the Prius.
‘Fair enough,’ Rose agreed.
CHAPTER 7
20 July, 1856
I should have written more in this dairy than I have. I look in here and find my last entry is more than four days old.
I shall make immediate amends.
So, we have travelled in this loose association for a while
Clive Cussler, Paul Kemprecos
Janet Morris, Chris Morris