fifty-two in a fire-bombed crack den in Willesden on page twenty-eight. And now these seven, drug runners on a hijacked yacht in the Caribbean. Eighty-three so far, and she was only on page forty-one of a 136-page screenplay.
Talk about a pile of poo!
Yet, according to the producer who had emailed it two days ago, Anthony Hopkins, Matt Damon and Laura Linney were attached, Keira Knightley was reading it, and the director Simon West, who had made Lara Croft, which she had thought was OK, and Con Air, which she had really liked, was, apparently, gagging to make it.
Yeah, sure.
The tube train was pulling into a station. The spaced Rastafarian opposite her, earphones plugged in, continued to knock his raggedly clad knees together in tune with his jigging head. Beside him sat an elderly, wispy-haired man, asleep, his mouth gaping open. And beside him a young, pretty Asian girl reading a magazine with intense concentration.
At the far end of the carriage, sitting beneath a swinging grab-handle and an advertisement for an employment agency, was a creepy-looking shell-suited jerk in a hoodie and dark glasses, long-haired with a beard, face buried in one of those free newspapers they give out in the rush hour at tube station entrances, occasionally sucking the back of his right hand.
It had been Sophie’s habit, for some time now, to check out all the passengers for what she imagined the profile of a suicide bomber to be. It had become one more of her survival checks and balances, like looking both ways before crossing a road, that were part of the automatic routine of her life. And at this moment her routine was in slight disarray.
She was late, because she’d had to run an errand before coming into town. It was ten thirty and ordinarily she would have been in the office an hour ago. She saw the words Green Park sliding past; the advertisements on the wall turn from a blur into images and clear print. The doors hissed open. She turned back to the script, the second of two which she had intended to finish reading last night before she had been interrupted – but wow, what an interruption! God – even just thinking about it was making her dangerously horny!
She flipped the page, trying to concentrate, in the hot, stuffy carriage, in the few minutes she had left before the next stop, Piccadilly, her destination. When she got to the office she would have to type a script report.
The story so far . . . Squillionaire daddy, distraught after beautiful twenty-year-old daughter – and only child – dies from a heroin overdose, hires former mercenary turned hit man. Hit man is given unlimited budget to track down and kill every person in the chain, from the man who planted the poppy seed to the dealer who sold the fatal fix to his daughter.
The logline: Death Wish meets Traffic.
And now they were pulling into Piccadilly. Sophie crammed the script, with its classy bright red cover, into her rucksack, between her laptop, a copy of the chick-lit book, Alphabet Weekends, which she was halfway through, and a copy of the August edition of Harpers & Queen. It wasn’t her kind of magazine, but her beloved – her fella, as she discreetly referred to him to everyone but her two closest friends – was some years older than her, and a lot more sophisticated, so she tried to keep up to speed with the latest in fashion, in food, in pretty well everything, so that she could be the smart, hip girl-about-town that suited his planet-sized ego.
A few minutes later she was striding in the clammy heat down the shady side of Wardour Street. Someone had once told her Wardour Street was the only street in the world that was shady on both sides – a reference to its being the home of both the music and the film industries. Not entirely untrue, she always felt.
Twenty-seven years old, long brown hair swinging around her neck and an attractive face with a pert snub nose, she wasn’t beautiful in any classic adman’s sense, but there was something