manhood.â
She slammed the door and I told the cabbie to take me to the Art Institute.
*Â Â Â *Â Â Â *
I KNEW R ENATA about as well as I knew anyone. Even though she had a right to be angry, sheâd already be feeling bad about yelling at me. She might even call and apologize ⦠or maybe not. But either way it wouldnât be long before she put the incidentâand Johnnie Leeâs sentence, tooâbehind her, as part of a past she couldnât change. She had a place to go home to, and a woman there who loved herânot to mention a baby girl theyâd adopted, and an application in for another. She had a life, and that helped her through the absurdity.
All I had was my own sense of right and wrong, and the sense that it was right to follow through on something you started, and wrong to let the bad guys scare you off, even if the bad guys wereâin Maura Flanaganâs wordsâânot above violence.â Of course, maybe Iâd have felt differently if Iâd had a woman at home who loved me.
*Â Â Â *Â Â Â *
I N FRONT OF THE A RT I NSTITUTE I paid the fare while two people waited to replace me in the cab. Even on a sunny day like that, there were always lots of tourists unwilling to take a chance on how long a walk it was to the next red star on their maps. I strolled north on Michigan Avenue and went into the park to sit on a bench and figure out what the hell to tell Stefanie.
âHey, big mon!â
âHey,â I answered, and twisted around. It was the little yogi with the dreadlocks and the bare feet. Today, though, he wore ragged blue jeans and a bright yellow T-shirt. On the front of the shirt was the news that Bob Marley lives! along with an illustration that was beyond my comprehension, but may have included snakes and palm trees. His left eye was swollen shut.
He grinned. âHow you doinâ, big mon?â
âIâm all right, but what did you run into?â
âThat bread you gave me? âMember that?â
âI do.â
âGone, mon,â he said. âSome dopey traded me for it. Gave me this here.â He pointed to his eye and grinned again. âSay, mon, I donât guessââ
âNo problem,â I said, and gave him another twenty.
âThis be good karma for you, hey?â He slid the bill into his jeans. âPlus maybe I do somethinâ for you sometime. For the bread, hey?â
I stared at him. âYou see anyone watching us now?â
âNo, mon. Sure no.â
âYou have a name?â
âLotsa names. You gimme ânother one. That be best, I tink.â
âOkay,â I said. âYogi. Like in Yogi Bear. Howâd that be?â
âBe fine. So what you want?â He patted his pocket, where heâd put the twenty.
âYou busy at five oâclock?â
âNever busy.â He winked his one good eye. âAlmost never.â
âI need you over at the Prudential Building.â I pointed. âFive oâclock. And you got any shoes?â He nodded, and I told him what I had in mind. âThereâs another twenty in it for you,â I said.
His smile grew even wider. His skin was very dark and his teeth were very white. âI be there, mon. Reeboks anâ all.â
I couldnât have explained why, but watching him scamper off across the grass I had the sense he was honest and reliable. Heâd show up. And if he didnât, Iâd have to come up with another idea.
CHAPTER
7
I CALLED THE DISCIPLINARY COMMISSION and got through to Stefanie Randle. âWe need to talk,â I said. âDid you drive to work?â
âNo, I usually take the el.â
âGood. And youâll be available today, say about five-fifteen, down in the lobby?â
âYes, but ⦠I mean, what if somebody sees us?â
âI wonât be there to be seen. Thereâll be a small, dark-skinned man,
Dave Grossman, Leo Frankowski