No More Sweet Surrender

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Book: No More Sweet Surrender Read Online Free PDF
Author: Caitlin Crews
Tags: Romance, Contemporary, Contemporary Romance
done, but she’d been the one draped against him, boneless and glassy-eyed and evidently mindless.
    Opposites Really Do Attract! the online gossip sites had shrieked. Mortal Enemies in Not-So-Mortal Combat? Korovin’s Kiss KOs the Competition!
    Ivan Korovin is sexy with a capital S ! her agent had texted while she was obediently sitting in the back of Ivan’s chauffeured car, too upset with the situation to be as outraged as she should have been at his high-handedness. He’s a bestseller on two feet!
    Clearly, Ivan Korovin kissing anyone with a pulse would be a story. She’d seen that story a thousand times herself—Ivan with this model or that starlet. She’d discussed that story in detail, dissecting the dramatic tales his various women always told in the wake of their affairs with him. But Ivan Korovin kissing the starchy professor best known for calling him “a barbaric King Leonidas without the excuse of a Sparta”? Miranda didn’t need her agent to tell her how salacious that story was.
    “It seems we are thrown together in this, like it or not,” Ivan said then, breaking her out of the dark spiral of her thoughts with his far darker, far richer voice. “Perhaps it would be better if we tried to think of it as an opportunity.”
    He was dressed in casual black trousers slung low on his narrow hips and a soft, charcoal-gray T-shirt that strained over his rock-hard biceps and clung to his well-honed gladiatorial torso. A darkly inked tattoo in an intricate pattern wrapped around the tight muscles of his left upper arm, twisting around to end just above his wrist. His thick, dark hair was damp, which felt like a kind of unearned, unwanted intimacy. It made her imagine him in the shower. It was almost too much to bear.
    Even doing no more than simply standing there, he looked distractingly, aggressively male, powerfully masculine, like some kind of potent, lethal work of art. She felt the force of it—of him—as if his very presence a few feet away was the same as his mouth on hers, tutoring her in all those layers of fire and need she’d never imagined existed.
    He looked like the warrior he was. She should have been actively repelled by him, and she couldn’t understand why she wasn’t. Why she still felt as if this untamed, uncivilized menace of a man was safe even when he very clearly, very obviously wasn’t.
    “An opportunity to do what?” she asked, her voice thicker than it should have been. She saw his eyes narrow, and knew he’d noticed it. She crossed her arms as if to ward him off. “Celebrate the end of my career? Who on earth will take me seriously now that I’ve been seen in such a compromising position with the poster boy for all things violent?”
    There was a long, simmering silence. He only looked at her, his dark eyes seeming even blacker than before, his hard face with its much-broken nose forbidding in the soft light of the sitting room lamps. Miranda found it hard to swallow, suddenly, and even harder to breathe, and she was forced to remind herself that he was a very, very dangerous man. A violent man. By trade and training. Possibly also by inclination.
    These were all things that should have been foremost in her mind.
    “I make action movies,” he said in a cold, distinctly hostile tone. There was no sign of temper on that ruthless face of his, which somehow made the lash of it all the worse. “I also practice sambo, among other martial arts, like the rest of my countrymen. It is our national sport. If that makes me the poster boy for all things violent, Professor, I would suggest to you that it’s your poster. You’re the one who’s made me into a monster. I am only a man.”
    She felt something course through her then that was too close to guilt, to the sickening heat of shame, and she didn’t understand it. She didn’t want to understand it, just as she didn’t want to feel that betraying flood of heat behind her eyes. She didn’t want to think about her work from
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