why not? He was confident in his talent and his willingness to continue learning, was filled with his vision of what art should be, and ready to take on the toughest critics in the world. His wife was nervous, but supportive because his dream-talk was so vivid. A year later she was nervous and carping because the talk was the same. The year after that she refused to listen and was gone.
He left his hometown, moved down into Massachusetts, rented a loft and worked even harder. There were sales, small ones, but more than enough to keep luring him on. A gallery showing in Boston was followed by one in Chicago. He permitted himself no close friends to distract him from his painting, and the women he sometimes found all finally complained of the same thing-he was cold, he was uncaring, all he should have given them he gave to his canvas.
They were right, but change was too hard, there was work to be done. The one thing he wanted was reasonable success, and definitely before he was too old to enjoy it; basking in fame during his dotage was not his idea of living.
Four years after leaving Maine, he married a woman who was just making it as a novelist. She said she understood him, and he believed it; she said she loved him, and he believed it. His work took on color, his days took on sunlight, and two years after his first New York showing, her heart twisted and stopped, and he never felt more alone in his life.
He despaired, moped, took long walks in the rain; he stared at his paints and could see nothing but black; he stood in front of the bathroom mirror and hacked at his wrists. But when he saw the blood running and felt the pain burning, instead of panicking he grew angry. Angry at himself for not having the maturity to deal with himself as well as other people, and at the world for not handing him people who really knew.
He bound himself, and thought he was healed. He had sworn off women until he met Peg Fletcher.
Peg Fletcher, who said she understood, and he wanted to believe it; Peg Fletcher, who refused to allow him self-pity, and he wanted to prove he didn't need it anymore.
He stared again at the scars and stuck his tongue out at them and broke into laughter that had his side almost aching.
The telephone rang.
He shook himself vigorously, reached to the cobbler's bench he used as a coffee table and snatched up the receiver. The first word on the other end told him it was Bob Cameron, owner of the Clipper Run and the incumbent president of the island's Board of Governors. Colin was running against him in next month's election.
Cameron also made no bones about being in love with Peg as well.
"Colin, how's it going?"
He propped his feet on the bench's high end and stared at the curtained window to the left of the door. "I'm not rich yet, if that's what you're asking."
Cameron laughed, a series of seal-like barks that never failed to sandpaper his nerves.
"Or maybe," he said, "you want me to make a speech at the bash on Saturday. You know, give the folks a little excitement in case the party gets too dull."
The laughter again, though this time he sensed strain and immediately stretched an arm over his head, list toward the ceiling, a silent celebration for scoring a point.
"Hey, you're welcome to come, you know that," Cameron said once he had sobered. "The party's open even to the opposition. Besides, it isn't a political thing anyway, for crying out loud. It's a celebration for shucking the tourists."
Colin nodded to himself. Sure, and I just know you have some swampland in Georgia you're eager for me to see.
"But that's not why I called," Cameron continued when he heard no response. "I, uh, I was wondering if you had plans for after the funeral tonight."
"Why?" Colin asked warily.
"Well, it's like this-I got a couple of friends over today from
Mari AKA Marianne Mancusi