heâd quickly made it clear she was not only to learn from Ajax, but about him. And report back.
âGood evening, Comandante,â she said.
âCompañero.â
âCompañero.â
The visitor looked her up and down; his gaze seemed to linger on her purse. Then he looked across the street at the disco. âI donât like norteño music myself. Too Mexican, if thatâs not ungrateful of me. The Mexicans are, after all, great friends of the revolution.â
âYes, I mean, no, I donât like norteño either. Itâs justâ¦â
He reached out and tapped her purse once, sharply, with the tip of his finger. âYou go armed even when off duty?â
âSometimes, yes. Itâs not loadedâI mean thereâs no round chambered.â
âDo I make you nervous, Lieutenant?â
âNo.â
âWell I should. After all, I am asking you to report on Captain Montoya. He is your partner, your teacher, really. And a hero of the revolution. Doesnât that make you feel the least disloyal?â
âUmâ¦â She slid the purse off one shoulder, then rehung it on the other. She regretted wearing the goddamned cowboy hat.
âAnd you are ready to make a report, arenât you?â
âSÃ, Comandante.â
âCompañero.â
âCompañero.â
âAnd youâre not writing any of this down.â
âNo.â
âAnd how is Montoya?â
âFine. Well, we had a tough day. A suspect got killedâ¦â
âWe know. The bishop is already making a hysterical fuss about the priest, blaming it on us as if weâd crucified the poor bastard in the Plaza. La Prensa will have morgue photographs splashed over the front page. What happened?â
âThe priest was dead when we got there.â
âI mean with Montoya.â
âAjax, Captain Montoya talked the soldier out. He seemed compliant. Then he pulled a gun. We had to shoot. The guy was crazy.â
âThe soldier?â
âYes.â
The visitor moved so he could see both their reflections in the store window. âTell me about Montoya. Was he sober?â
âSober?â
âSober, meaning not drunk.â
âYes, he was sober.â
âIs he stable?â
âStable?â
âLieutenant, you keep answering questions with questions. I chose you in the hope you could observe and report, now do so.â
âYes, compañero. He was stable, rational. Heâs justâ¦â
âWhat?â
Gladys moved the purse back to the other shoulder. âHeâs kind of an asshole.â
The visitor threw his head back and laughed, showing all of his very white teeth. She could tell from the state of those teeth how high up in the government he was. You didnât get that kind of dental care unless you were.
The visitor studied her face a while. âIt seems I have chosen well. Did you read his file?â
âI wasnât given it.â
âNot Montoyaâs. The soldierâs.â
âYes. I did. Hard to believe what they put him through.â
âDo you know why the Contra are that way? Give me your purse.â
Gladys handed it over. She rocked back and forth in her boots, relieved now that she was in them. Had she high heels on, she might have toppled to the ground.
âThe Contra are that way because they donât fight for anything. An ideal. A goal.â The visitor unzipped the purse. âOnly against something. Us. This actor-president Reagan came to power with a movie-script foreign policy that he will fight communism like the cowboys he played in B-films fought Indians.â
He took her pistol out.
âBut the Soviets are Indians with nukes. Reagan canât attack them. So he makes this Contra army to attack us. In this way he is like the old US cavalryâif they couldnât get at the braves, the warriors, they attacked the women and children in the
Annie Murphy, Peter de Rosa