Neon Mirage

Neon Mirage Read Online Free PDF Page B

Book: Neon Mirage Read Online Free PDF
Author: Max Allan Collins
Tags: Nathan Heller
pause.
    Then: “I’ll see to it she’s left alone.”
    “Thanks, Mr. Guzik.”
    Guzik grunted and hung up.
    So did I, trembling.
    Peg’s lawyer boss didn’t make it to court: he had a nervous breakdown first. But Ragen found somebody else to take the case (which was still in litigation at the time of the shooting at State and Pershing) and gave Peg a job in his own office in the meantime. We’d been seeing each other, off and on, since then; but with Peg living at home, being the dutiful daughter, and under her uncle’s watchful eye at work and all, we were taking it slow.
    And that’s why I went along, when Jim Ragen leaned on me to provide him protection in his ill-advised struggle with the Outfit: I was in love with his goddamned niece.

 
    Ragen wasn’t dead; just unconscious. But the way he was bleeding, he’d be dead soon enough if Walt Pelitier and me didn’t move our couple of asses.
    First things first: I crossed State to a corner barber shop, where (now that the shooting was over) coloreds were milling, murmuring amongst themselves, pointing over at the shot-up cars. None of them spoke to me, possibly because I still had a gun in my hand. It was a bus stop, and there was a bench; several colored youths were standing on it, to get a better look. No cops had shown yet. This neighborhood wasn’t patrolled much—that no doubt was one of the reasons why it had been chosen to host the hit. I walked quickly to the modest newsstand along the Pershing side of the barber shop and handed the boy a buck and grabbed a bunch of papers. Then I went out into the street and got in on the pellet-puckered rider’s side of the Lincoln, having to yank at the mangled door some to do it, and began wrapping the bloody, unconscious Ragen’s wounded right arm in newspapers, like the limb was a big dead fish. The papers soaked up the blood. Black and white and red all over.
    I used a few pages to clean the blood off my hands. Then I left Ragen with Walt and danced back through the moderate State Street traffic, most of which was slowing for a look (but not stopping—whites didn’t stop in this neighborhood unless, like me, they were shot at or something), and ducked into the drug store, where a thin, white-haired, colored gentleman in a white smock and wire-frame glasses stood behind the prescription counter. He seemed damn near serene, as if his window got shot out every day.
    “Has anybody in here called the cops yet?”
    The druggist nodded, slowly. “Yes, sir,” he said. “I did.”
    “When they get here,” I said, handing him one of my business cards, “give ’em this, and tell ’em I’m driving the victim to the nearest hospital.”
    “All right,” he said, still nodding, not glancing at the card.
    “That’d be Michael Reese, right?”
    He just kept nodding, and I went out, the glass of his window crunching under my shoes.
    Michael Reese Hospital was at 29th, a little over ten-block drive, and we’d have to head back north to get there. We took Ragen’s Lincoln—the bodyguard car’s windshield was shattered, and a tire had been flattened, though I was able to pull it over to the curb and park it—and this time I drove while Walt rode figurative shotgun, Ragen between us, leaned against Walt. I turned left on Pershing and floored it and ignored traffic lights, just slowing a tad as I crossed the intersections while oncoming cars climbed curbs and screeched to stops to allow my passage, and I was going fifty, six blocks later, when I took a hard, careening left on South Park Avenue, a wide boulevard with a parkway down the middle where colored kids paused in their play to look with wide eyes upon the shot-up car full of white people that went streaking by.
    The gray-brick complex of Michael Reese Hospital stretched along Ellis Avenue like a fortress in a foreign land; to the rear, separated from the hospital only by Lake Park Avenue, the wide W of the central building and its two major wings faced the
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