âHow?â
âNobody knows!â
Like much that interested her, this seemed more than a mysteryâit hummed with the magical. It re-entered Patrickâs mind when he found himself walking beside the river. But it was slippery as a fish, too. He understood it for a moment, and then it was gone.
The walls of Joâs room were hung with clippings of crew-cut men in black and white, smiling out of unhelmeted space-suits with neckpieces wide as jam jars. Patrick could name Yuri Gagarin, Neil Armstrong, perhaps Buzz Aldrinâbut there were many more. The crew of the Space Shuttle Challenger, smiling in blue jumpsuits, ready to die.
And there was a long poster mapping out the solar system as a neat arrangement of planets; Patrick had bought it for her. Its scale, she told him, even as she Blu-Tacked it to the wall, was greatly misleading.
There were pictures taken by the Hubble Space telescope; a poster of Albert Einstein sticking out his tongue. Books on the birth of the universe, the formation of stars, the theory of relativity, and wormholes and black holes.
On clear nights, she pointed to the stars with a twiggy finger and named them for him. He was hypnotized by her wonder.
One night, she informed him that he wasnât standing on the surface of the planet looking up, but hanging off the planet like a bat; looking down into a limitless abyss.
Overcome with a sudden and terrible vertigo, he reached for Joâs hand. He sat heavily in the grass. He looked at his knees because he was scared, for a moment, to look up; sheâd turned looking up into looking down.
Up the downs, he thought.
Patrick and Jane argued about Jo. Jane won: Jo was thirteen. Old enough to be boarder.
She could come home at weekends and holidays. Compared to being in low Earth orbit, boarding school would be a doddle.
Jo said, âWhatever. Excellent,â and Patrick worried she wouldnât miss them; that he and Jane were superannuated curiosities, like clunky old computersâadmirable in context, but laughable too, for their limitations and design flaws.
So Jo didnât come to Devon, and neither did Charlie: Charlie didnât want to go anywhere, or do anything but see his friends. They smoked dope round each otherâs houses, went to Bath pubs and nightclubs.
Patrick supposed he should be happy that Charlieâs friends were unthreatening and knowable. But he wasnât; it irritated the crap out of him.
Charlie took a job on a Bristol building site, hauling into skips half-bricks and broken tiles, stained old toilets, useless piping. He wore a baseball cap to keep the hair from his face. He came home in the back of a white van, and he refused to come to Devon.
âIâm just sick of moving.â
Patrick said: âI thought you hated Bath.â
But Charlieâs world had contracted to a few friendsâ houses, a building site, half a dozen pubs, a few nightclubsâand the ghost of a girl on a bridge.
Patrick had seen them together, once; an early summer evening, not long before.
He was sitting outside the pub, surrounded by much younger people, nursing his third or fourth pint and reading The Man in the Iron Mask. And over the road, heading up from Pulteney weir, Charlie passed by. He was with the girl. She was tall, skinny, bleached blonde, in army boots and ripped jeans.
Patrick laid down his book and watched them, greatly moved by something in his sonâs countenance.
They were sixteen, this boy and this girl, and it was summer. Bath was pink-washed in the sunset, and they were headed to a nightclub, where they would listen to loud music and maybe dance, and spend time with their friends, and maybe have sex and wake hungover and happy. And they were wasting it, walking with solemn distance between them.
The girl paused and dug out a pack of cigarettesâa green pack, mentholsâand offered one to his boy.
Charlie took it, and offered the girl a light. She