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née Leeson, my great-grandma, was a poet of sorts, a strange, sharp-looking woman with a long curving crest of nose, thin witty lips and eyes set so wide they were practically looking in different directions. Fleshy in her middle years, corseted in black with a strict high neck and lace cap, in old age she attained a kind of hawk-like beauty — there is a faded photograph of her in glory, slender once more, mounted straight-backed and imperious on a tall machine which, Aunty Eve assured me, was ‘the first tricycle in Northampton’. Did the money to acquire this style and dash come partly from writing?

Hat competition at the wedding of my maternal grandparents, Bill and May Church
    Martha Leeson wrote verses for birthday and Christmas cards, in bulk, and took them to Market Harborough station in a suitcase, where she met a man who paid her, very little I imagine, and took them away. Is rhyme a genetic trick, an echo-receptive angle of the genome, I wonder? My mother could rhyme as easily as breathing, firing off her poems to women’s magazines and winning ten shillings or the ‘star letter spot’ with regularity, and I find it hard not to rhyme when I write prose, and my daughter finds it natural to rap.
    Grandma Church’s stubbornness changed my mother’s whole life for the better. Mum was born with a turned-in foot, and May her mother was told by the doctor that she would have to have a caliper; nothing could be done; little Aileen, her seventh child, would always walk with a limp. But May refused to accept it.Instead she carried my mother to and from the nearest hospital every week for treatment, ‘three or four miles’, as mum told me, and another three or four back. It worked; my mother later became a sprinter, hurdler and hockey-player, and I still have the small blackened silver cup that pronounces her Wolverton Grammar School Sports Day’s ‘victrix ludorum’.

Great-grandma Martha Davis née Leeson, writer of birthday-card verses
    In other ways Grandma Church had grown tired by the time my mother was born, after all those children,with no money and a husband who drank. That’s probably why she didn’t teach my mother how to sew, or make clothes, because Mum’s elder sisters both had these skills. It must also be why, as my mother told me still with some sadness a lifetime later, ‘Mum never came to any of my school events,’ so Aileen had to shine on sports days unregarded (but she always came to everything that I did, by way of compensation; every play, every parents’ evening, every Sports Day, there Mum would be, with a camera, smiling and cheering me on).
    The battle between my parents — who nevertheless loved each other, and all of us — was fought through their families, as marital battles so often are. Gees were martial, while Churches appeased and then secretly deceived. My father was frightening and sometimes aggressive and my mother wasn’t, and ‘a man should lead’, as he asserted, so when conflict was overt, he would always carry the day. When we made our regular visits ‘home’ to Bucks, the division of time was never just. We always stayed at Wolverton, with Pa and Ma, and only walked over the fields to my mother’s home, Stony Stratford, for occasional meals. There my father felt off his ground, and uneasy, particularly, as I think now, after Grandma Church died, when there was just Grandpa Church to deal with, the man who my mother called ‘Dad’, the only plausible other man and authority figure in her life. Though Bill, shambling and laughing in his cardigan and slippers, with mould in his bread-bin and his tribe of seven children dispersed to the four winds, was far from being an authority figure. But he could annoy my father terribly, by making jokesand being funny, and once, I remember, just by saying, ‘Relax, Vic, make yourself at home,’ then going into the kitchen