Murder Below Montparnasse Read Online Free PDF Page B

yellow.
    “Something’s wrong,” Morgane said.
    Flèche checked his watch. “I’ll say. He’s not the type to go drinking. But I’m going to find out.”
    Dumb. How in the hell did he ever get the nickname Flèche, “sharp arrow”? Slow and dull were more like it.
    “Wait until—”
    “My cut disappears?” Flèche shook his head. Picked up his shearling jacket.
    “You’ll ruin the plan, Flèche,” she said. “Screw up the timing.”
    “Since when are you my boss?”
    She wished he’d shut up. Hated working with a loose cannon.
    “We all want this to go smooth, perform our roles. Yours is to.…”
    She paused. They both heard the click from the courtyard door below. She put her finger to her mouth. Footsteps padded on the wet pavers, mounted the staircase until they stopped outside the door.
    One knock. The signal. He was here.

Tuesday Morning
    R APHAEL D OMBASLE’S NOSE twitched as he studied the small painting in the Montparnasse gallery’s back room. His nose hadn’t twitched like this since he recovered the stolen Renoir in 1996 from a battered suitcase in the Gare du Nord left luggage. But he kept his face blank as he turned to the art dealer Luebet.
    “No provenance? Or certificate of authenticity, Luebet?” he said, his fingers running over the painting’s carved frame. “So it’s stolen?”
    “That’s why I alerted you, Dombasle.” Luebet gave a tight smile. Long white hair framed his hollowed face and brushed the blue jacket collar of his tailored pinstripe suit. A little
phhft
escaped his pursed lips. “The seller gave me a verbal agreement to furnish the painting’s provenance, of course, like they all do. But I knew right away.”
    Of course he did. Small figure studies like this rarely came on the market or through an art dealer.
    “But I’m acting in good faith, Dombasle.”
    Dombasle figured Luebet had only alerted him because he’d been unable to sell the painting fast, before Interpol consulted the Art Data Registry. Luebet kept hands in both pots, as the saying went. The kind of informer who delivered when it suited him. Dombasle wondered at the timing.
    “You’d rather a recovery fee than prison. Come out on the right side this time.”
    “I thought we had an agreement, Dombasle.” Luebet’s voice tightened. “We share information, like last time. Why insult me when I follow the law?” Luebet shook his head.
    “You haven’t heard me insult you. But I could.” Dombasle pulled out his tape measure and assessed the small canvas, but it was just a formality. He recognized the painting, which had been stolen during the bold daylight heist of a Left Bank townhouse. This painting was a perfect match, even to the stained signature. An early Berthe Morisot. A jewel of delicate brushstrokes, a charcoal-and-aquarelle study of a mother and child under a garden trellis—her signature subjects. The
comtesse
had allowed it to be photographed for the glossy architectural magazine’s ten-page spread of her townhouse collection—stupid. When the rich advertised what they had and where they kept it, what did they expect?
    Luebet shrugged. Lit a cigarette and hit the air filter machine, which erupted in a whirr. “A cigarette is the perfect type of a perfect pleasure,” he said. “Exquisite, and it leaves one unsatisfied, to quote Oscar Wilde. What more can one want?”
    Dombasle watched the dealer expel a stream of smoke. “So the
comtesse
’s other stolen works.…”
    “Went the way of the ghost. Vanished. Or so the rumor goes.”
    “Care to elucidate, Luebet?”
    Luebet shrugged. “Use your imagination.”
    “Any Baltic accents attached to the rumors?” Dombasle asked. Eastern Europeans exchanged stolen paintings for arms or jewels or drugs—not so picky. Last year a Serbian militant was caught pulling Chagalls from his Zagreb basement to trade for a fleet of armor-plated Land Rovers. In turf wars, art was a gold bar of exchange for such gangs, who cared nothing