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forever, and then to my surprise—for I am surprised, even though I know the pattern of rounds—the song is thinning out, you can hear the two voices striving.
    Merrily, merrily, merrily, merrily,
    Life is but a dream.
    Then the one voice alone, one of them singing on, gamely, to the finish. One voice in which there is an unexpected note of entreaty, of warning, as it hangs the five separate words on the air. Life is . Wait. But a . Now, wait. Dream .

Chaddeleys and Flemings
    2. THE STONE IN THE FIELD
    My mother was not a person who spent all her time frosting the rims of glasses and fancying herself descended from the aristocracy. She was a businesswoman really, a trader and dealer. Our house was full of things that had not been paid for with money, but taken in some complicated trade, and that might not be ours to keep. For a while we could play a piano, consult an Encyclopaedia Britannica, eat off an oak table. But one day I would come home from school and find that each of these things had moved on. A mirror off the wall could go as easily, a cruet stand, a horsehair loveseat that had replaced a sofa that had replaced a daybed. We were living in a warehouse.
    My mother worked for, or with, a man named Poppy Cullender. He was a dealer in antiques. He did not have a shop. He too had a house full of furniture. What we had was just his overflow. He had dressers back-to-back and bedsprings upended against the wall. He bought things—furniture, dishes, bedspreads, doorknobs, pump handles, churns, flatirons, anything—from people living on farms or in little villages in the country, then sold what he had bought to antique stores in Toronto. The heyday of antiques had not yet arrived. It was a time when people were covering old woodwork with white or pastel paint as fast as they were able, throwing out spool beds and putting in blond maple bedroom suites, covering patchwork quilts with chenille bedspreads. It was not hard to buy things, to pick them up for next to nothing, but it was a slow business selling them, which was why they might become part of our lives for aseason. Just the same, Poppy and my mother were on the right track. If they had lasted, they might have become rich and justified. As it was, Poppy kept his head above water and my mother made next to nothing, and everybody thought them deluded.
    They didn’t last. My mother got sick, and Poppy went to jail, for making advances on a train.
    There were farmhouses where Poppy was not a welcome sight. Children hooted and wives bolted the door, as he came toiling through the yard in his greasy black clothes, rolling his eyes in an uncontrollably lewd or silly way he had and calling in a soft, pleading voice, “Ith anybody h-home?” To add to his other problems he had both a lisp and a stammer. My father could imitate him very well. There were places where Poppy found doors barred and others, usually less respectable, where he was greeted and cheered and fed, just as if he had been a harmless weird bird dropped out of the sky, valued for its very oddity. When he had experienced no welcome he did not go back; instead, he sent my mother. He must have had in his head a map of the surrounding country with every house in it, and just as some maps have dots to show you where the mineral resources are, or the places of historical interest, Poppy’s map would have marked the location of every known and suspected rocking chair, pine sideboard, piece of milk glass, moustache cup. “Why don’t you run out and take a look at it?” I would hear him say to my mother when they were huddled in the dining room looking at something like the maker’s mark on an old pickle crock. He didn’t stammer when he talked to her, when he talked business; his voice though soft was not humble and indicated that he had his own satisfactions, maybe his own revenge. If I had a friend with me, coming in from school, she would say, “Is that Poppy