saved
you, fuzzy and fist-sized.
Now you are sunny, opaque,
utterly beyond words, alien
as the dreams of a pine tree.
Sometimes when I look at you
you purr as if stroked.
Outside you turn your head
pretending not to see me
off on business, a rabbit
in the marshgrass, rendezvous
in the briars. In the house
you’re a sponge for love,
a recirculating fountain.
Angry, you sulk way under
a bed till dragged out whining,
you permit yourself to be
captured and saved. You blink
then your goldengreen eyes
purr and collapse on your back
with paws up and your snowy
white belly exposed all curls
to the plume of your tail.
Ravish me, you say, with kisses
and tunafish because I know
how to accept pleasure. I am
your happy longhaired
id, taking the moment as I
do your finger in my mouth
without breaking its skin,
or eviscerating it instantly
like a mouse.
Cats like angels
Cats like angels are supposed to be thin;
pigs like cherubs are supposed to be fat.
People are mostly in between, a knob
of bone sticking out in the knee you might
like to pad, a dollop of flab hanging
over the belt. You punish yourself,
one of those rubber balls kids have
that come bouncing back off their own
paddles, rebounding on the same slab.
You want to be slender and seamless
as a bolt.
When I was a girl
I loved spiny men with ascetic grimaces
all elbows and words and cartilage
ribbed like cast up fog-grey hulls,
faces to cut the eyes blind
on the glittering blade, chins
of Aegean prows bent on piracy.
Now I look for men whose easy bellies
show a love for the flesh and the table,
men who will come in the kitchen
and sit, who don’t think peeling potatoes
makes their penis shrink; men with broad
fingers and purple figgy balls,
men with rumpled furrows and the slightly
messed look at ease of beds recently
well used.
We are not all supposed
to look like undernourished fourteen year
old boys, no matter what the fashions
ordain. You are built to pull a cart,
to lift a heavy load and bear it,
to haul up the long slope, and so
am I, peasant bodies, earthy, solid
shapely dark glazed clay pots that can
stand on the fire. When we put our
bellies together we do not clatter
but bounce on the good upholstery.
A new constellation
We go intertwined, him and you
and me, her and him, you and her,
each the center of our own circle
of attraction and compulsion and gravity.
What a constellation we make: I call it
the Matrix. I call it the dancing
family. I call it wheels inside wheels.
Ezekiel did not know he was seeing
the pattern for enduring relationship
in the late twentieth century.
All the rings shine gold as wedding bands
but they are the hoops magicians use
that seem solid and unbroken, yet can slip
into chains of other rings and out.
They are strong enough to hang houses on,
strong enough to serve as cranes, yet
they are open. We fall through each other,
we catch each other, we cling, we flip on.
No one is at the center, but each
is her own center, no one controls
the jangling swing and bounce and merry-
go-round lurching intertangle of this mobile.
We pass through each other trembling
and we pass through each other shrieking
and we pass through each other shimmering.
The circle is neither unbroken
nor broken but living, a molecule attracting
atoms that wants to be a protein,
complex, mortal, able to sustain life,
able to reproduce itself inexactly,
learn and grow.
Indian pipe
Fragile drooped heads
white as rag paper
raise their funereal grace
ghostly on blanched needles,
year old tattered oak leaves.
The jointed stems suggest
the bones of marionettes.
Chill waxen flowers
blacken as they age
as if with fire.
Saprophytic poor relations
of wintergreen, surely
they embody decadence.
Yet decay is necessary
as the fox’s lunge
bonded as we are
electron and proton,
eater and
Sara Mack, Chris McGregor