about them. When the curry was cooked, she would eat it in a kind of trance, her eyes half-closed, very quiet.
But this morning, the old magic wasnât working. Her spine looked rigid as she lashed herself into her apron, a frown line like a sharpened blade between her eyebrows.
âIâll do that, Mummy,â I said, seeing a pile of onions and muddy carrots on the draining board. I took an onion and started to chop it, but she snatched the knife from my hand.
âNot like that, like this.â Her hand flew down the onion in a blur. âThere.â She scooped up the tiny pieces, hurled them into thelarge frying pan, made them sizzle, the air turned blue and for a second, there she was again: my sorceress, my magician.
Daisy had brought her own spice box home from India, a carved wooden box with rows of tiny cupboards inside, each one filled with a different spice. My mother opened it now and sniffed.
âMusty,â she said with an exasperated sigh.
âTell me what they are,â I said, still hoping for a bit of fun with her.
âThis is chili powder, very hot. Fennel seeds, chili, dried coriander. I wonât put that in, Ci Ci will complain of indigestion. Iâll use Daisyâs for the chicken curry, and mine for the vegetable. So . . .â She was lost for a moment, her voice lilting, leaning over the onions that had started to turn brown at the edges. âI put spices first, warm them nicely, now lentils.â
âGet out! Go away!â Her sudden shout made me jump. It was Sid, Daisyâs old black Labrador; he was circling and about to flop in his usual place in front of the Rayburn when she kicked him.
âNo dogs in the kitchen!â she shouted.
âKeep your hair on, Mummy.â I was softhearted about animals. âHeâs not the Loch Ness monster.â
âDogs are full of germs and fleas,â she told me after Iâd shut him in the freezing hall.
âNow here, come close.â She added a teaspoon of coriander to the lentils. âThese first,â she whispered, ânow the other vegetables.â
And soon it was all lovely in there, with the kitchen filled with smells piquant and strange, the fat hissing, windows steaming, and us absorbed and getting on again. I was accustomed to watching my mother as anxiously as a farmer observes the sky for signs of storms approaching, but now, almost in spite of herself, I saw her whole body soften and relax.
âStir it clockwise,â she told me, stroking my hand. âCounterclockwise is bad luck.â
My mother had a number of strange beliefs like this: donât washyour hair on a Thursday, never shave your armpits on a Mondayâthings that when she was in a good mood, I could tease her about.
âUm.â I closed my eyes, glad to feel the touch of her hand. âI love these smells.â
âDoes Tudor like curry?â she asked out of the blue and with a sly look I recoiled from.
âHow should I know?â
âYou should make it your business to know.â She dropped my hand. âBecause men appreciate these things, and you should wear a dress at night and stop wearing those awful gloves, like some farm laborer, and have you told him about your job?â I had the sense these reproaches had been dangerously backing up, and now they burst out like steam from a geyser.
âMy job!â I put down the spoon and sat down. âWhy would I talk to him about it?â
âWell, Daisy has, because heâs mentioned it to me, and by the way, he thinks her charity is madness when the farm is so run-down, but anyway . . .â Sheâd said what sheâd been building up to and now she continued in her wheedly voice, âLetâs not have a row about it.â She lifted a scrawny chicken from the saucepan. âLet it cool, take the flesh off it, chop it small.â
But my blood was up. âWhy are you so ashamed of
Clive Cussler, Paul Kemprecos
Janet Morris, Chris Morris